Abstract

Abstract:

In their intercultural production Kayoi Komachi/Komachi Visited, creators Colleen Lanki and Farshid Samandari experimented with mixing Japanese noh and Western chamber opera, blending noh and opera music, classical Japanese and English. For this noh opera, which hybridized theatrical styles through language, interlingualism was key to its interculturality.

pdf

Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 164-171
Launched on MUSE
2019-09-06
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.