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  • In the Eye of the Animal: Zoological Imagination in Ancient Christianity by Patricia Cox Miller
  • Steven D. Smith
Patricia Cox Miller. In the Eye of the Animal: Zoological Imagination in Ancient Christianity. Philadelphia: University of Pennsylvania Press, 2018. Pp. 271. $79.95. ISBN 978-0-8122-5035-0.

Miller's book is a welcome contribution to the growing field of animal studies in antiquity. Over the space of an introduction, five chapters, and a brief afterword, Miller masterfully elucidates a tension in early Christian literature between an anthropocentric rhetoric that disparages non-human animal life and a persistent tendency in these same texts to think about animals "in terms of their emotional, ethical, psychological, and behavioral continuities with human beings" (4). Miller's brilliant close readings of patristic texts are thoroughly informed by a broad range of theoretical insights from leading thinkers in the field of animal studies. Miller appears equally at home with the works of Jean-Christophe Bailly, Jacques Derrida, and Maurice Merleau-Ponty as she is with the poetry of Rainer Maria Rilke and Wallace Stevens, all of whom here enter into a rich dialogue with the likes of Origen, Ambrose, Augustine, Basil of Caesarea, and Gregory of Nyssa, among others.

The Introduction lays out the problem of the conflicting attitudes towards human-animal relationality in early Christian thought and literature and nicely situates the book's theoretical orientation. Chapter 1, "Animals and Figuration," uses birds as a case study for the various roles (spiritual, ethical, Christological) that animals play in the zoological imagination of early Christian writers. Miller's discussion of the dove is especially interesting, because she shows how Christian writers de-eroticized and spiritualized what was traditionally a symbol of potent sexuality. Chapters 2 and 3 share the title "The Pensivity of Animals," with a focus on "zoomorphism" and "anthropomorphism," respectively. Chapter 4, "Wild Animals," engages with the figuration of animals in the literature of monastic asceticism; Miller's recurring interest in the subversive quality of animal fabulae works well with the book's overall thesis. Chapter 5, "Small Things," employs the insights of "new materialism" to focus on the "vibrant materiality" of worms, mosquitos, flies, and frogs within the early Christian zoological imagination. In the brief afterword, Miller brings together her various readings of the ambiguous attitudes towards non-human animals in patristic literature and synthesizes them under the sign of a Christian kosmos that harmonizes and seeks affinity between its dissimilar parts.

The great value of Miller's work is its delineation of how early Christian literature provides evidence of a lively discourse that ran contrary to and even disrupted the conventional anthropocentric view of the kosmos, a view inherited from the Greco-Roman philosophical tradition. The passages that Miller collects and analyzes in this volume illustrate without a doubt that patristic writers celebrated human entanglement with non-human animal life, "even when those relations are paradoxically presented as both positive and negative in the same text" (192).

But early Christian writers were not alone in antiquity in presenting such an ambiguous or paradoxical relationship with non-human animal life. Though she deftly traces continuities between the patristic texts and modern ideas about human-animal entanglement, Miller misses an important opportunity to engage more deeply with the inheritance of non-Christian writers from the Roman Imperial period who sometimes shared with their Christian counterparts a sympathetic fascination with the natural world that contrasted sharply with the [End Page 374] conventional disparagement of non-human animals as "irrational creatures" (ἄλογα ζῷα). Miller duly notes parallels and differences between passages from patristic texts and similar passages from non-Christian writers such as Pliny and Aelian. But if, as Miller concludes, early Christianity heralded "a rhetoric of cosmic resemblance, connection, harmony, and affinity that does not debase animals but includes them . . . in the material and spiritual enchainments that are the created order" (194), then the book would have benefitted from a more searching inquiry into how the Christian writers were responding to, modifying, or consonant with their non-Christian counterparts in the creation of this new rhetoric.

Finally—and it may seem churlish to note this, but it must be said—a more careful editorial...

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