Abstract

Abstract:

The necessity for curriculum reform within the fields of art history, visual arts, and art education cannot be overstated. The article seeks to further a discussion of critical pedagogical strategies, methods, and considerations that can be beneficial when teaching an intersectional art history and disability studies course. By outlining such a course, it is hoped that the article will provide a valuable resource to other art educators who seek to incorporate the theoretical lens of disability studies into their courses.

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