Ainsworth, Adam, Oliver Double, and Louise Peacock. Popular Performance. London: Bloomsbury, 2017.
Alston, Adam, and Martin Welton. Theatre in the Dark. London: Bloomsbury, 2017.
Angelaki, Vicky. Social and Political Theatre in 21st-Century Britain. London: Bloomsbury, 2017.
Aronson, Arnold. The History and Theory of Environmental Scenography, Second Edition. London: Bloomsbury Methuen Drama, 2018.
Auslander, Philip. Reactivations: Essays on Performance and Its Documentation. Ann Arbor: U of Michigan P, 2018.
*Babbage, Frances. Adaptation in Contemporary Theatre. London: Bloomsbury, 2018.
Bennett, Susan. Theory for Theatre Studies: Sound. London: Methuen Drama, 2019.
Bennett, Susan, and Sonia Massai. Ivo Van Hove: From Shakespeare to David Bowie. London: Methuen Drama, 2018.
Berzal de Dios, Javier. Visual Experiences in Cinquecento Theatrical Spaces. Toronto: U of Toronto P, 2019.
*Black, Cheryl, and Jonathan Shandell, eds. Experiments in Democracy: Interracial and Cross-Cultural Exchange in American Theatre, 1912–1945. Carbondale: Southern Illinois UP, 2016.
Bleeker, Maaide, Adrian Kear, Joe Kelleher, and Heike Roms, eds. Thinking Through Theatre and Performance. London: Methuen Drama, 2019.
**Bloom, Katya, Barbara Adrian, Tom Casciero, Jennifer Mizenko, and Claire Porter. The Laban Workbook for Actors. London: Bloomsbury, 2018.
*Bowditch, Rachel, and Pegge Vissicaro. Performing Utopia. Chicago: Seagull Books, 2018.
Boyle, Michael Shane, Matt Cornish, and Brandon Woolf. Postdramatic Theatre and Form. London: Methuen Drama, 2019.
Brejzek, Thea, and Lawrence Wallen. The Model as Performance. London: Bloomsbury, 2018.
**Brodie, Geraldine. The Translator on Stage. London: Bloomsbury, 2018.
Buckner, Jocelyn L. A Critical Companion to Lynn Nottage. New York: Routledge, 2016.
Bull, John. British Theatre Companies, 1965–1979. London: Bloomsbury Methuen Drama, 2017.
Calihman, Matthew, and Gerlad Early, eds. Approaches to Teaching Baraka’s Dutchman. New York: The Modern Language Association of America, 2018.
Cameron, David, Michael Anderson, and Rebecca Wotzko. Drama and Digital Arts Cultures. London: Bloomsbury, 2017.
Campbell, Ali. The Theatre of the Oppressed in Practice Today: An Introduction to the Work and Practices of Augusto Boal. London: Methuen Drama, 2019.
Carlson, Marla. Affect, Animals, and Autists: Feeling Around the Edges of the Human in Performance. Ann Arbor: U of Michigan P, 2018.
Carlson, Marvin. Shattering Hamlet’s Mirror: Theatre and Reality. Ann Arbor: U of Michigan P, 2016.
*Chambers, Claire. Performance Studies and Negative Epistemology. London: Palgrave MacMillan, 2017.
**Chow, Broderick, Eero Laine, and Claire Warden. Performance and Professional Wrestling. New York: Routledge, 2017.
Clericuzio, Alessandro. Tennessee Williams and Italy: A Transcultural Perspective. London: Palgrave Macmillan, 2016.
Corcoran, Neil. Reading Shakespeare’s Soliloquies: Text, Theatre, Film. London: Bloomsbury Arden Shakespeare, 2018.
Croall, Jonathan. Performing Hamlet: Actors in the Modern Age. London: Bloomsbury Arden Shakespeare, 2018.
Crossley, Mark, and James Yarker. Devising Theatre with Stan’s Café. London: Bloomsbury, 2017.
Daddario, Will. Baroque, Venice, Theatre, Philosophy. London: Palgrave MacMillan, 2018.
Day, Gary. The Story of Drama: Tragedy, Comedy and Sacrifice from the Greeks to the Present. London: Bloomsbury, 2016.
Dharwadker, Aparna Bhargava, ed. A Poetics of Modernity: Indian Theatre Theory, 1850 to the Present. Oxford: Oxford UP, 2019.
Dragicevich, Milan. The Persuasive Actor: Rhetorical Power on the Contemporary Stage. Indianapolis: Focus, 2019.
Dromgoole, Dominic. Hamlet Globe to Globe. New York: Grove Press, 2017.
Dudeck, Theresa Robbins, and Caitlin McClure, eds. Applied Improvisation: Leading, Collaborating, and Creating Beyond the Theatre...