This article is about three bodies of visual work that raise questions of cultural belonging, hybridity, and memory. I use languages of printmaking, drawing, photography, and poetry to creatively trace processes of memory of place and meanings we make with it. In Migrant Universe, drawings function as rearrangeable continua of maps, landscapes, and portraits of memory and identity. Catalogue of Silence, an installation of photographs, an essay, and poems about the state of cultural institutions in my native city of Sarajevo, is an elegy for what has been irretrievably lost as well as a testament of hope that the city will rebound and be, as it was in the past, a fertile ground for new ways of cultural thriving. In Beginnings and Endings, a series of etchings, images culled from science, explosion traces, and comic book speech bubbles are placed on liquid and unsteady ground, invaded by fungi, functioning as icons of precarity: the loss and the promise of it. In this precipitous moment in human history, in American history, what can we learn about our survival as a species, and a global civilization, from the stories of migrants, seeds, and mushrooms?


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pp. 300-310
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