Contributors
- Contributors
Susan Felleman is a professor of art history and film and media studies at the University of South Carolina. She is the author of four books, most recently Real Objects in Unreal Situations: Modern Art in Fiction Films (Intellect, 2014) and the coauthored Screening Statues: Sculpture and Cinema (Edinburgh University Press, 2017), with Steven Jacobs, Vito Adriaensens, and Lisa Colpaert.
Conn Holohan is a lecturer in film at the Huston School of Film & Digital Media, National University of Ireland, Galway. His research focuses on space and place in Hollywood and European cinema, particularly representations of home, and has appeared in the Quarterly Review of Film and & Video. His current book project is on the home in Hollywood melodrama of the 1930s and 1940s.
Cael M. Keegan is an assistant professor of women, gender, and sexuality studies and liberal studies at Grand Valley State University and secretary of the Queer Caucus of the Society for Cinema and Media Studies. He is the author of Lana and Lilly Wachowski: Sensing Transgender (University of Illinois Press, 2018) and coeditor of Somatechnics 8.1, "Cinematic Bodies." His work has also appeared in Transgender Studies Quarterly, Mediekultur, and Journal of Homosexuality.
Eliza Steinbock is an assistant professor of cultural analysis at Leiden University's Centre for the Arts in Society, where they research trans* visual culture. They are the author of Shimmering Images: Trans Cinema, Embodiment and the Aesthetics of Change (Duke University Press, 2019) and coeditor of the special issue "Cinematic Bodies," Somatechnics 8.1. Their work has also appeared in Feminist Media Studies and the Routledge Companion to Cinema and Gender.
Joshua Yumibe is an associate professor and the director of film studies at Michigan State University. He is the author of Moving Color: Early Film, Mass Culture, Modernism (Rutgers University Press, 2012) and coauthor of Fantasia of Color in Early Cinema (Amsterdam University Press, 2015), with Giovanna Fossati, Tom Gunning, and Jonathon Rosen, and of Chromatic Modernity: Color, Cinema, and Media of the 1920s (Columbia University Press, 2019), with Sarah Street.
