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  • Untitled Poem from State of the Wards
  • Levi Andalou (bio)

Impulse buying is not confined to the checkout line, to the one-click purchase. This house, for example, where the doorways are large enough to enter, but too narrow to leave through. Where each door opens into a slightly smaller room. My parents, for example, whom I chose based on a gross misconstrual of the facts. I took the lack of regional accent to denote lack of region. I conflated chronic bad credit with a dependable incredulity. I saw the patrilineal lack of eyeteeth as a categorical dismissal of biblical notions of jurisprudence. I took the absence of a second story as a dare, I took it one night, scaling a ladder to sleep out on the tar paper, wondering whether I, like the universe, was the result of a decision that never reached consciousness, wondering what was wrong with everyone. What I missed was that the missing second story was just their little way of repudiating the equation of verticality with the sacred. At the sight of the morning star, I found a way off that roof that would forever erase my impulses. [End Page 121]

Levi Andalou

Levi Andalou's work has appeared or is forthcoming in Mid-American Review, The Minnesota Review, Lake Effect, Spillway, BOMB, Virga Magazine, The South Carolina Review, Sugar House Review, DIAGRAM, F(r)iction, Cleaver Magazine, Sonora Review, Phoebe, Ruminate, and Pembroke Magazine. A reading of his work was featured on the literary podcast "On the Edge." He graduated from Brown University, where he studied with C. D. Wright, Michael S. Harper, and Ange Mlinko. He lives in the San Francisco Bay Area. Read more of his work or contact him at LeviAndalou.com.

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