Abstract

Abstract:

The rite of exorcism known as nuo lies at the very heart of the relationship between ritual and drama in Chinese theatre history. Nuo altar theatre exemplifies the relationship between ritual and drama as dynamic and interactive, with ritual engendering theatre and theatre enriching ritual.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 57-77
Launched on MUSE
2019-06-04
Open Access
No
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