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Nuo Altar Theatre on a Liminal/Liminoid Continuum: Reflections on the Shamanic Origins of Chinese Theatre
- TDR: The Drama Review
- The MIT Press
- Volume 63, Number 2, Summer 2019 (T242)
- pp. 57-77
- Article
- Additional Information
Abstract
Abstract:
The rite of exorcism known as nuo lies at the very heart of the relationship between ritual and drama in Chinese theatre history. Nuo altar theatre exemplifies the relationship between ritual and drama as dynamic and interactive, with ritual engendering theatre and theatre enriching ritual.
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