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  • Color Plates

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Color Plate A.

EVALUATION AND ANALYSIS OF WHITE SPACE IN WU GUANZHONG'S CHINESE PAINTINGS

Heat map of eye movements on (a) Spring Snow, (b) A Landscape with Houses, (c) Spring in Jiangnan, (d) Twin Swallows, (e) A Quadrangular Yard; (f) Trajectory diagram of Twin Swallows. (Source: Wu Guanzhong. Heat maps © Kang Zhang.) (See article in this issue by ZhenBao Fan, Kang Zhang and XianJun Sam Zheng.)

[End Page 153]


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Color Plate B.

GIORGIO SCARPA'S MODEL OF A SEA URCHIN INSPIRES NEW INSTRUMENTATION

A–C and E–G: Still frames from a video showing the opening and closing of the sea urchin's mouth and of the ground sampler prototype built by Frank et al. [reference 39 in article]. D and H: Side views of the prototype in open and closed position [reference 40]. (© Michael Frank. Illustrations: Michael Frank and Taylor Wirth, courtesy of the University of California, San Diego. Sea urchin photos: Yoshihiro Sawada. Used by permission.) (See article in this issue by Pino Trogu.)

[End Page 154]


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Color Plate C.

AFFECTIVE QUANTIFICATION OF COLOR GESTALT: MODELING OF AFFECTIVE FACTORS FOR COMBINATIVE COLOR DESIGN

Top: Comparison of color combinations with identical preference parameters. Color combination of preferential traits can be restored via the structural measure of the six-dimensional model, regardless of the individual component colors. The left image has three colors, while the right one has five. All the colors of the two images are different. But the two images have similar color effects for the structural parameters they share. (© Guosheng Hu) Bottom: Comparison of compositional factors. Color gestalt is not only determined by colors themselves but is also significantly influenced by the composition they interweave. The images above of one color scheme are obviously different in proportion of area covered, distribution and patch amount of each component color. The three factors characterize the overall color effects. (© Guosheng Hu) (See article in this issue by Guosheng Hu.)

[End Page 155]


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Color Plate D.

HOW A MATHEMATICIAN STARTED MAKING MOVIES

Still from the film Soap Bubbles by Michele Emmer, 1979. (© Michele Emmer.) (See article in this issue by Michele Emmer.)

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