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  • Contributors

ALEX ASSALY is a Ph.D. candidate in English literature at the University of Cambridge. His work focuses on "play" in the art and poetry of David Jones.

MATTHEW BERGER is a Ph.D. student at the University of Southern California in the Comparative Studies in Literature and Culture Department. His current work focuses on the theoretical and material implications of globalism in contemporary urban landscapes; in particular, his work examines the effects of digital media and global warming on the modern city dweller's experience.

ROBERT BERRY is the Philadelphia-based cartoonist behind ULYSSES "seen," the ambitious project aimed at fully adapting Joyce's novel into a visual learning platform. His artworks have been shown in Bloomsday celebrations all over the world where they have helped to unite Joyce devotees both new and learned. He teaches at the University of Pennsylvania and occasionally gets the chance to make pretty pictures.

NORMAN CHEADLE is Professor of Hispanic Studies at Laurentian University in Canada. His annotated English translation of Leopoldo Marechal's Ulyssean novel Adán Buenosayres (1948) was published by McGill-Queen's University Press in 2014.

TIM CONLEY is Professor of English and Comparative Literature at Brock University in Canada. His most recent book is Useless Joyce: Textual Functions, Cultural Appropriations.

THOMAS F. COTTER is the Briggs and Morgan Professor of Law at the University of Minnesota Law School and the recipient of an Innovators Network Foundation Intellectual Property Fellowship for 2018-2019. His work focuses primarily on intellectual property, competition law, and law and economics. His most recent book is Patent Wars: How Patents Impact Our Daily Lives, and he publishes the Comparative Patent Remedies blog.

JAY DICKSON is Professor of English and Humanities at Reed College. He is the author of multiple essays on British and Irish modernist literature, including "Defining the Sentimentalist in Ulysses" in Vol. 44 of the James Joyce Quarterly. He is currently at work on a monograph on the subject of Katherine Mansfield and the limits of modernist emotional expression.

JOHN WILSON FOSTER is Professor Emeritus at the University of British Columbia and Senior Research Fellow, Queen's University Belfast. He is the author of Fictions of the Irish Literary Revival and Irish Novels, 1890-1940.

DAMON FRANKE is Associate Professor of English at USM Gulf Coast, where he teaches a wide variety of courses on literature, writing, and critical analysis. He is the author of Modernist Heresies: British Literary History, 1883-1924, and his articles and reviews have appeared in Studies in the Novel, the James Joyce Quarterly, The Journal of Narrative Theory, Nineteenth-Century Prose, English Language Notes, and SubStance. He is currently working on a study of the philosophy of "becoming" in the works of Joyce.

PHILIP KEEL GEHEBER teaches at Fordham University. He has published pieces on Joyce in Genetic Joyce Studies and the book Parallaxing Joyce, as well as a study of the politics of Irish Free State dairy production and Finnegans Wake's tale of Burrus and Caseous in A Long the Krommerun. His essay analyzing the intertextual echoes in representations of traveling women in Gustave Flaubert's Madame Bovary and Katherine Mansfield's World War I story "An Indiscreet Journey" appeared in Katherine Mansfield Studies. He is co-editor of the collection Modernism and Food Studies: Politics, Aesthetics, and the Avant-Garde (forthcoming from the University Press of Florida in 2019).

SCOTT HERRING is James H. Rudy Professor of English at Indiana University. He is currently completing "The Aging of American Modernism."

MICHELLE MCSWIGGAN KELLY is a Language Lecturer in the Expository Writing Program at New York University. She is at work on a book about Finnegans Wake and William Carlos Williams's Paterson.

CHRISTA-MARIA LERM HAYES is Professor of Modern and Contemporary Art History at the University of Amsterdam. Her books include Brian O'Doherty/Patrick Ireland: Word, Image and Institutional Critique as editor, Post-War Germany and "Objective Chance": W. G. Sebald, Joseph Beuys and Tacita Dean, Beuysian Legacies in Ireland and Beyond: Art, Culture and Politics as co-editor, Joyce in Art, and James Joyce als Inspirationsquelle für Joseph Beuys. She has curated numerous exhibitions.

GEORGINA NUGENT-FOLAN is Assistant...

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