CRITICISM, HISTORY, AND THEORY
Aebischer, Pascale, Susanne Greenhalgh and Laurie E. Osborne, eds. Shakespeare and the ‘Live’ Theatre Broadcast Experience. London: Bloomsbury Arden Shakespeare, 2018; pp. 244.
Ainsworth, Adam, Oliver Double, and Louise Peacock, eds. Popular Performance. London: Bloomsbury Methuen Drama, 2017; pp. 304.
Allmer, Patricia, and John Sears, eds. 4 Saints in 3 Acts: A Snapshot of the American Avant-Garde in the 1930s. Manchester: Manchester University Press, 2017; pp. 192.
*Anan, Nobuko. Contemporary Japanese Women’s Theatre and Visual Arts: Performing Girls’ Aesthetics. New York: Palgrave Macmillan, 2016; pp. 230.
Angelaki, Vicky. Social and Political Theatre in 21st-Century Britain: Staging Crisis. London: Bloomsbury Methuen Drama, 2017; pp. 280.
Anwar, Nadia. Dynamics of Distancing in Nigerian Drama: A Functional Approach to Metatheatre. Stuttgart: Ibidem Press, 2016; pp. 370.
Arjomand, Minou. Staged: Show Trials, Political Theater, and the Aesthetics of Judgement. New York: Columbia University Press, 2018; pp. 248.
Aronson, Arnold. The History and Theory of Environmental Scenography. London: Bloomsbury Methuen Drama, 2018; pp. 272.
Balcerzak, Scott. Beyond Method: Stella Adler and the Male Actor. Detroit: Wayne State University Press, 2018; pp. 282.
Barnett, Dennis, ed. DAH Theatre: A Sourcebook. Lanham, MD: Lexington, 2016; pp. 232.
Baxter, Veronica, and Katharine E. Low. Applied Theatre: Performing Health and Wellbeing. London: Bloomsbury Methuen Drama, 2017; pp. 344.
Beaurepaire, Pierre-Yves, Phillippe Bourdin, and Charlotta Wolff, eds. Moving Scenes: The Circulation of Music and Theatre in Europe, 1700–1815. Oxford: Voltaire Foundation, 2018; pp. 392.
Belliveau, George, and Graham W. Lea, eds. Research-based Theatre: An Artistic Methodology. Bristol, UK: Intellect, 2016; pp. 218.
Beushausen, Katrin. Theatre and the English Public from Reformation to Revolution. Cambridge: Cambridge University Press, 2018; pp. 314.
†Blair, Rhonda, and Amy Cook, eds. Theatre, Performance and Cognition: Languages, Bodies and Ecologies. London: Bloomsbury Methuen Drama, 2016; pp. 256.
Bloom, Davida. Rape, Rage and Feminism in Contemporary American Drama. Jefferson, NC: McFarland, 2016; pp. 202.
Boenisch, Peter M. Directing Scenes and Senses: The Thinking of Regie. Manchester: Manchester University Press, 2017; pp. 324.
Born, Georgina, Eric Lewis, and Will Straw, eds. Improvisation and Social Aesthetics. Durham, NC: Duke University Press, 2017; pp. 354.
Brietzke, Zander. Action and Consequence in Ibsen, Chekhov, and Strindberg. Jefferson, NC: McFarland, 2017; pp. 212.
Browditch, Rachel, and Peggie Vissicaro, eds. Performing Utopia. London: Seagull Books, 2018; pp. 334.
Bryer, Jackson R., Judith P. Hallett, and Edyta K. Oczkowicz, eds. Thornton Wilder in Collaboration: Collected Essays on His Drama and Fiction. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2018; pp. 366.
Bryzgel, Amy. Performance Art in Eastern Europe since 1960. Manchester: Manchester University Press, 2017; pp. 384.
Buckner, Jocelyn L., ed. A Critical Companion to Lynn Nottage. Abingdon, UK: Routledge, 2016; pp. 110.
Bull, John. British Theatre Companies, 1965–1979. London: Bloomsbury Methuen Drama, 2017; pp. 336.
Bulman, James C., ed. The Oxford Handbook of Shakespeare and Performance. Oxford: Oxford University Press, 2017; pp. 706.
Burden, Michael, Wendy Heller, Jonathan Hicks, and Ellen Lockhart, eds. Staging History, 1780–1840. Oxford: Bodleian Library, 2016; pp. 224.
Burkman, Katherine H. The Drama of the Double: Permeable Boundaries. Basingstoke, UK: Palgrave Macmillan, 2016; pp. 182.
Cairns, Douglas. Sophocles: Antigone. London: Bloomsbury Academic, 2016; pp. 160.
Calvo, Javier Huerta, and Julio Velez...