- Index to Volume 12
Articles
Brown, Geoff, When Britannia Ruled the Sound Waves: Britain's Transition to Sound in Its European Context | 93 |
Brown, Geoff and Porter, Laraine, Introduction | 87 |
Dixon, Bryony, Variable Areas: The Transition to Sound and the Birth of the Robot Voice | 259 |
Durrand, Mark, Mission: Impossible-ing: Towards a Theory of Cinematic Vitality | 53 |
Glitsos, Laura, The Camera Phone in the Concert Space: Live Music and Moving Images on the Screen | 33 |
Helmers, Maike, The Transition from the Silent into the Sound Era in German Cinema: The Innovative Use of Sound in Pabst's Westfront 1918 | 121 |
Izod, John, Empowering Cinema Operators in the USA and UK, 1927–1933 | 217 |
Neely, Sarah, Tantalising Fragments: Scotland's Voice in the Early Talkies in Britain and Jenny Gilbertson's The Rugged Island: A Shetland Lyric (1934) | 171 |
Özyilmaz, Özge, Responses of the Film Industry and Audiences to the Introduction of Sound Cinema in Turkey (1929–1933) | 241 |
Porter, Laraine, 'Have You a Happy Voice?': Women's Voices and the Talkie Revolution in Britain 1929–1932 | 141 |
Schwartz, Daniel, Sounding the Inaudible: Rethinking the Musical Analog y in the City Symphonies of Walter Ruttmann and Dziga Vertov | 1 |
Sibanda, Nyasha, The Silent Film Shortage: The Cinematograph Exhibitors' Association and the Coming of Sound, 1928–1929 | 197 |
Reviews
Goldsmith, Melissa U.D., Willson, Paige A., and Fonseca, Anthony J., The Encyclopedia of Musicians and Bands on Film, review by Erik Heine | 80 |
Gopinath, Sumanth and Stanyek, Jason (eds), The Oxford Handbook of Mobile Music Studies, Vol. 1 and Vol. 2, review by Andra Ivănescu | 75 |