In lieu of an abstract, here is a brief excerpt of the content:

  • Mason–Dixon Linesfirst meeting and the proposal
  • Délana R. A. Dameron (bio)

first meeting

Some women suffer themselves foolstrying to hold a man

who floats between them like driftwood;whose happy tongue slicks

his catfish back; who constrictshis lover’s bones

as if a black rat snakewhile holding out magnolia

blossom & eucalyptus branch offerings—except

for Annie who is strong as a water oak;evergreen as pine.

*** [End Page 121]

the proposal

The woman stands on the everlasting pierwith her back to him. When he walks

towards the edge, water lapshis combat boots up to the twice-tied

laces at his ankles. A hand-cupped ear,he is looking to tune her voice

to the right frequency. Hinged by her feeton the clapboard planks, she is

flexed for flight. In basic training,this is how Thomas learned to lean out of the belly

of a plane: heart first, as if lookingfor a reflection in water. He stands close

enough to grab her shoulder & twiststhe woman ’round in a great pirouette.

To finally see her face. When she turns,it is Annie & her words pierce him clear as fire

Seems like I been waitingfor you all this time. I been waiting

for you to come for me. When he seesAnnie again, he’ll seek her hand. [End Page 122]

Délana R. A. Dameron

A native of Columbia, South Carolina, DéLana R. A. Dameron is a writer and arts and culture administrator living in Brooklyn, New York. Dameron is the author of Weary Kingdom (2017) and her debut collection of poetry How God Ends Us was selected by Elizabeth Alexander for the 2008 South Carolina Poetry Book Prize. Dameron holds an MFA in poetry from New York University and a BA in history from the University of North Carolina at Chapel Hill. She has conducted readings, workshops, and lectures across the United States, Central America, and Europe. www.delanaradameron.com.

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Additional Information

ISSN
1534-1488
Print ISSN
1068-8218
Pages
pp. 121-122
Launched on MUSE
2019-01-07
Open Access
No
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