Contributors
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Brian Gingrich is a Lecturer in the Department of English at Princeton University, where he recently completed his PhD. His articles and reviews have appeared or are forthcoming in Twentieth-Century Literature, Women’s Studies, and the collection Interlinguicity, Internationality, and Shakespeare. He is currently finishing a book, The Pace of Fiction.
Julian Hanich is Associate Professor of Film Studies at the University of Groningen. He is the author of Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear (2010) and The Audience Effect: On the Collective Cinema Experience (2018). With Christian Ferencz-Flatz, he also coedited an issue of Studia Phaenomenologica on “Film and Phenomenology” (2016).
Laura Hughes is a Visiting Assistant Professor at New York University. She is currently completing a book titled Archival Afterlives on Cixous and Derrida’s friendship. Related publications on manuscript and archive studies have appeared in Continents manuscrits, Exemplaria, and the Bloomsbury Handbook of 21st-Century Feminist Theory.
Benjamin Mangrum is a fellow with the Michigan Society of Fellows and Assistant Professor in the Department of English Language and Literature at the University of Michigan. He is the author of Land of Tomorrow: Postwar Fiction and the Crisis of American Liberalism (2018).
Brian McGrath is Associate Professor of English at Clemson University. Author of The Poetics of Unremembered Acts: Reading, Lyric, Pedagogy (2011), he has published articles on Wordsworth and cloud computing, Keats and beginning, and Lucille Clifton and the election of the dead to public office. He is also coeditor of the book series Lit Z.
Tess McNulty is a PhD candidate in English literature at Harvard University, working on contemporary literature and digital culture, with supplementary interests in literary critical method and the digital humanities. Her dissertation analyzes art and literature in the age of the discursive genre that we call “content.” Her work has appeared in JML: Journal of Modern Literature, Public Books, and the Los Angeles Review of Books.
Omri Moses is Associate Professor of English at Concordia University in Montreal. He is author of Out of Character: Modernism, Vitalism, Psychic Life (2014) and is working on a new book, tentatively entitled The Open Mind, which examines theories of embodied and extended cognition to understand better how we read fiction and poetry, while also turning to literature to test these new neurobiological theories.
