- Fire-work
Light Passage – Autumn
Cai Guo-Qiang, 2007
1. 灾
Radical for house. Radical for fire. After a last practiced Stroke the calligrapher
Into the metal pan passes This last scrap of paper. Quiet the fall of the paraffin
Light on the library wall, The calligrapher’s library Burns itself down: every scroll
Unscrolls its sallow to the yellow flame, The heat unstitches Each spine to a spill of pages,
All the loose slips blister into black Lace, until that last Paper smokes, sizzles its wet ink,
And collapses. The metrical boottaps Of the state Pass by in the dark street.
Hush here this beautiful catastrophe, In the basin’s brass A bouquet of ash. [End Page 151]
2. 滅口
Radical for water, radical for talk. The ardent Lexicons of the revolution
Blaze on beyond the monastery gate, But abandoned, remote, Its corridors and dormitories
Murmur the calligrapher’s strange exile. He keeps the lamps Unlit. He keeps himself quiet,
Ghosting the ruined rooms, perusing The bare bookshelves While on his soundless lips move
Poems no longer bound there. Out on the grounds After every rain The calligrapher wanders,
With a stick extinguishing each word, Stroke by beloved Stroke, into the puddles.
3. 花火
At a quick strike on the steel-scratch, the match Flares, the fuse catches And crawls in a slow sparkle
To the powderbox propped at the canvas. The calligrapher’s son Knows his explosives—the blow-
Force of saltpeter, the scatter patterns, The weights and burn-rates Of his elements and their velocities, [End Page 152]
The hues of their various char against cloth: Blueburning copper, Salt red. What is charactered there
In the linen weave is the mind burning The thing it loves best To sear its afterimage against
Its forgetting. This is his inheritance, This the farewell letter His father never left: radical
For fire and flower together. [End Page 153]
Kimberly Johnson is the author of three collections of poetry, most recently Uncommon Prayer (Persea, 2014), and of book-length translations of works by Hesiod (Northwestern University Press, 2017) and Virgil (Penguin Classics, 2009). The recipient of fellowships and awards from the Guggenheim Foundation, the National Endowment for the Arts, and the Mellon Foundation, she has recent and forthcoming work in Kenyon Review, Boulevard, and pmla.