In lieu of an abstract, here is a brief excerpt of the content:

  • Dickens Quarterly Checklist
  • Kim Edwards Keates and Claire Horrocks


Secondary Sources

Christensen, Allan Conrad. Darwinian Nature and Artistic Texts: Essay on Making/Unmaking. Chieti: Edizioni Solfanelli, 2018. Pp. 311. ISBN 978-88-7497-652-2.
———. “Bulwer’s The Caxtons and A Strange Story and Dickens’s Great Expectations.” Christensen 125–154;
———. “Epistolary Proposals of Marriage in Dickens’s Bleak House and Eliot’s Middlemarch. Christensen 155–172.
———. “Manzoni’s I promessi sposi and Dickens’s Bleak House.” Christensen 173–188.
Coşar Çelik, Seda. “Railways, Ghosts and Charles Dickens’ ‘The Signalman’.” Journal of Narrative and Language Studies 6.10 (2018): 124–32.
Dickens Quarterly 35.2 (June 2018). [Contents: William F. Long and Paul Schlicke, “Positively the Last Appearance of ‘BOZ’ in Advertisements for Dombey and Son”: 101–09; Jeremy Parrott, Lohrli Revisited: Newly Identified Contributors to Household Words”: 110–26; Hai Na, “Grammar of Choice: Charles Dickens’s Authentic Religion”: 127–42; Jerome Meckier, “Dickens’s Presidents”: 143–48; Linda Craig, “Tweeting Tippins: Using Digital Media to Recreate Our Mutual Friend’s Serialization”: 149–58; Natalie B. Cole (Rev. Jenny Hartley, Charles Dickens: An Introduction): 159–60; Iain Crawford (Rev. Devin Griffiths, The Age of Analogy: Science and Literature Between the Darwins): 161–63; Emily Bell Rev. Keridiana W. Chez, Victorian Dogs, Victorian Men: Affect and Animals in Nineteenth-Century Literature and Culture): 164–66; David Paroissien (Rev. Ian Campbell, Aileen Christianson, David Sorensen, eds. The Collected Letters of Thomas and Jane Welsh Carlyle): 167–71; Notices: 172–76; Clare Horrocks and Kim Edwards Keates, “The Dickens Checklist”: 177–83.]
Fanucchi, Sonia. “Devils, Kettles and Drama: Grip as mystical clown in Barnaby Rudge.” Nineteenth-Century Contexts 40.2 (2018): 133–47.
Folléa, Clémence. “Reconstructing the Author for a Wide Audience: Dickens in Doctor Who (2005) and Assassin’s Creed (2015).” Études britanniques contemporaines, 54 (2018). DOI: 10.4000/ebc.4378
Kaya, Göksel. “Ambivalence of Identity as an Extension of Colonial Discourse in Charles Dickens’ Great Expectations and Aravind Adiga’s The White Tiger.” International Journal of Comparative Literature & Translation Studies, 6.2 (2018): 28–36. DOI:
Keithline, Anne. “Sternness as a Source of Levity in Joseph Conrad, James M. Barrie, and Charles Dickens.” Yearbook of Conrad Studies 12 (2017). <>
Little Doric 4/3 (May 2018). [Contents: Marion Anderson & Eric Summers, “From the Editors: Dickens Returns!”: 1; John Edmondson, “The View from the Train: Charles Dickens on Railway Development and Rail Travel in Dombey and Son”: 2–12; Alison Summers, “Louisa May Alcott”: 14–19; Christine Thomas, “Harriet Martineau”: 20–6; Paul Schlicke, “An Interview with John Bowen”: 27; John Bowen, “Dickens the Magician”: 28; Sally Lawton, “The Nurse Who Found Herself in 1916”: 29; Paul Schlicke, “Oliver Twist”: 30; Graham Smith, “Merdle & Money”: 31]
Murray, Nathan. “A Possible Source for the Apocryphal Anecdote Concerning the Reception of Little Nell’s Death.” Notes and Queries (2018). Advance Article. DOI:
Nazlİ, Elzem and Elif Öztabak Avci. “A Rhetorical Narratological Approach to the Treatment of Crime and Criminals in Great Expectations.” DTCF Dergisi 58.1 (2018): 571–94. DOI: 10.1501/Dtcfder_0000001604
Orford, Pete. The Mystery of Edwin Drood: Charles Dickens’ Unfinished Novel and Our Endless Attempts to End It. Pen & Sword History, 2018. ISBN: 978-1526724366.
Prizel, Natalie. “Beside Women: Charles Dickens, Algernon Charles Swinburne, and Reparative Lesbian Literary History.” GLQ: A Journal of Lesbian and Gay Studies 24.2–3 (2018): 267–89. DOI:
Viera, José. “Our Famous Friend: Analysing Charles Dickens as a Pioneering (Literary) Celebrity in Matthew Pearl’s The Last Dickens (2009).” Persistence and Resistance in English Studies: New Research. Eds. Sara Martin, David Owen and Elisabet Pladevall-Ballester. Newcastle upon Tyne: Cambridge Scholars Publishing, 2018. 78–87. ISBN: 978-1527506084.

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