Abstract

Abstract:

The article explores estrangement in the early Sartre via an analysis of Roquentin, protagonist of La Nausée (1938). It compares the nature of Roquentin's estrangement with that of Meursault in Camus's L'Etranger. It argues that Roquentin's estrangement can best be understood through a reading of Sartre's early works on emotion, imagination, and the transcendence of the ego.

pdf

Additional Information

ISSN
1944-768X
Print ISSN
0037-783X
Pages
pp. 407-423
Launched on MUSE
2018-08-08
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.