- Underground
Don't say face of the moon, not voice like morning dew. Instead, say hookin-the-tongue, try barb-in-the-flesh,
say knife-in-the-wound.They are turning their locksto paint their faces
and their daughters' faces. They look on as the girls regardtheir eyes in mirrors, in the long
cracked mirror of history, and war. They paint themselves into existenceinside the shuttered rooms
of their hearts, where freedom still bristles. They are stripping veilsfrom their faces and letting loose
their glossy hair. They are singing with their daughters, firstsoftly, and then loudly, in unison.
They have taken their girls underground. They open battered booksto teach them letters and words
that may save them. Some shave their daughters' locks so the girls mightwalk a different route each day
with cracked books tucked into bags of apricots. They prepare for the minutes apart,the hours. They wait
for what seems days, months, years. But first they kiss, they embrace.They take one last look at each face. [End Page 191]
Dilruba Ahmed's book, Dhaka Dust (Graywolf Press, 2011), won the Bakeless Prize. Her poems have appeared in Alaska Quarterly Review, American Poetry Review, Kenyon Review, PEN America, Poetry, Smartish Pace, and elsewhere. Ahmed is the recipient of Florida Review's Editors' Award, a Dorothy Sargent Rosenberg Memorial Prize, and the Katharine Bakeless Nason Fellowship in Poetry from the Bread Loaf Writers' Conference. She holds degrees from the University of Pittsburgh and Warren Wilson College's MFA Program for Writers.