List of Figures

Cover:

Ludovico Ariosto, Orlando Furioso. Ferrara: Giovanni Mazzocco, 1516, a2v. © The British Library Board, class mark BL G11061.

Jo Ann Cavallo:

Figure 1. Angelica and Medoro in La Pazzia di Orlando, by the Compagnia dei Pupari Vaccaro-Mauceri, reproduced with the kind permission of Onofrio Sanicola.

Jane E. Everson:

Figure 1.
Orlando furioso. Ferrara, Giovanni Mazzocchi,1516, frontispiece, c.A1r, with printer’s mark. © The British Library Board, class mark G11061.

Figure 2.
Orlando furioso. Ferrara, Giovanni Mazzocchi,1516, c. A3r. © The British Library class mark G11061.

Figure 3.
Altobello historiato. Milan, I. A. Scinzenzeler, 1511, title page with full page woodcut. © The British Library Board, class mark C 20 b 7.

Figure 4.
Niccolò degli Agostini, Il Quinto Libro dello inamoramento de Orlando. Venice, Giorgio Rusconi, 1514, title page with woodcut and woodcut border. © The British Library Board, class mark 83.d.6.

Figure 5.
Libro d’arme e d’amore nomato Mambriano. Ferrara, Giovanni Mazzocchi, 1509, frontispiece, c. A1r, with printer’s mark. © The British Library Board, class mark G11089.

Figure 6.
Matteo Maria Boiardo, Orlando innamorato. Venice, Giorgio Rusconi, 1511, c. a2r, first page of text. © The British Library Board, class mark G11053.

Figure 7.
Libro d’arme e d’amore nomato Mambriano. Ferrara, Giovanni Mazzocchi, 1509, c. A2r, first page of text. © The British Library Board, class mark G11089.

Figure 8.
Luigi Pulci, Morgante maggiore. Venice, Bono de Monferrato, 1507, title page with woodcut. © The British Library Board, class mark G10687.

Morten Steen Hansen:

Figure 1.
Giorgio Ghisi after Teodoro Ghisi, Angelica and Medoro, engraving, Metropolitan Museum of Art, New York. Photograph provided by the Metropolitan Museum of Art, New York.

Figure 2.
Jacques Blanchard, Angelica and Medoro, oil on canvas, Metropolitan Museum of Art, New York. Photograph provided by the Metropolitan Museum of Art, New York.

Figure 3.
Giovanni Bilivert, Ruggiero and Angelica, oil on canvas, Galleria Palatina, Florence. Photo: Scala/Ministero per i Beni e le Attività culturali / Art Resource, NY.

Figure 4.
Giovanni Bilivert, Ruggiero and Angelica, c. 1624, black and red chalk on paper, the contours of the figures traced with stylus, 260 x 316 mm, Statens Museum for Kunst. © SMK Foto.

Figure 5.
Cecco Bravo, Angelica and Ruggiero, oil on canvas, The David and Alfred Smart Museum of Art, The University of Chicago. Photograph ©2017 courtesy of The David and Alfred Smart Museum of Art, The University of Chicago.

Figure 6.
Correggio, The Virgin Adoring the Christ Child, oil on canvas, Galleria degli Uffizi, Florence. Photo: Scala / Art Resource, NY.