In lieu of an abstract, here is a brief excerpt of the content:

Barley Field II, 1983, Oil on canvas, 137 x 296 cm 6

Fire in the Field II, 1979, Ink and acrylic, 139 x 128 cm 10

Puddle, 1978, Oil on canvas, 131 x 131 cm 40

The Earth-line, 1978, Oil on canvas, 112 x 146 cm 64

Fire I, 1979, Oil on canvas, 131 x 131 cm 100

Tree I, 1978, Acrylic, 130 x 130 cm 104

Landscape II, 1976, Ink and oil on rice paper, 64 x 128 cm 120

Landscape, 2011, Steel, 900 x 270 cm 147

Self-Portrait, 1978, Oil on canvas, 89 x 146cm 148

The Creative Economy under Water, 2017, Oil on canvas, 178.5 x 560 cm 150

The Golden Age of Zombies, 2017, Oil on canvas, 178.5 x 560 cm 150

Flower Field, 1981, Oil on canvas, 139 x 340 cm 152

Here, White Flower, 2017, Mixed media on canvas, 259 x 776 cm 154

Here, Paradise, 2017, Oil on canvas, 259 x 776 cm 154 [End Page 311]

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Azalea Radish, 1987, Acrylic on canvas, 278 x 139 cm 156

Self Portrait, 2017, Mixed media on canvas, 259 X 182 cm 157

The Earth II, 1981, Ink, acrylic and oil on canvas, 135 x 350 cm 158

Kim's Family before/after the Korean War, 1990, Paper relief and deep-color pigment, 131 x 198 cm 160

Color Paper, 1981, Oil and acrylic on canvas, 111 x 246 cm 162

Modern History of Africa 1, 1985-86, Oil on canvas, 2000 x 150 cm 164

Modern History of Africa 2, 1986-88, Oil on canvas, 2000 x 150 cm 164

Modern History of Africa 3, 1988, Oil on canvas, 1000 x 150 cm 164

Gwanghwamun Love Song, 2011, Oil on canvas, 456 x 182 cm 166

The Anguish of Life Is Like a Burning House—Samgyehwataek Fire, 2017, Pastel on paper, 336 x 480 cm 168 [End Page 312]

Bird, 1983, Paper relief and acrylic on canvas, 215 x 269 cm 178

All for One, 1989, Paper relief and acrylic on canvas, 235 x 266 cm 206

Way Home II, 1983, Paper relief and deep-color pigment, 180 x 260 cm 270

Medusa, 2011, Oil on canvas?, 416 x 327 cm 289

Bukhansan, 1992, Oil on canvas, 240 x 139 cm 311

Up, On the Square—Candlelight Revolution, 2017, Mixed media on canvas, 360 x 1620 cm 312

Yi T'aejun

Book cover image of Yi T'aejun's A Great New China, courtesy of Professor Kim Jaeyong, Wonkwang University 290

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[End Page 313]

Lim Ok-sang

Following his graduation from Seoul National University with a B.A. in sculpture and M.A. in painting, Lim Ok-sang studied at École d'art d'Angoulême in Angoulême, France. He was one of the founders of a critical journal, Reality and Utterance, that coincided with the beginning of the Minjung movement. Lim has had over nineteen one-person exhibitions since 1970. His work Up, On the Square—Candlelight Revolution is displayed on the wall of the Sejong Room of the Blue House. He is president of the World Script Institute and Ok Public Studio.

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