ActivAmerica. By Meagan Cass. Denton: University of North Texas Press, 2017.
The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century. By Kyla Schuller. Durham, NC: Duke University Press, 2018.
Burger. By Carol J. Adams. New York: Bloomsbury Academic, 2018.
Darwin and Women: A Selection of Letters. By Samantha Evans. Cambridge: Cambridge University Press, 2017.
The Evolution of the French Courtesan Novel: From de Chabrillan to Colette. By Courtney Sullivan. New York: Palgrave Macmillan, 2016.
The Female Philosopher and Her Afterlives: Mary Wollstonecraft, The British Novel, and Transformations of Feminism, 1796-1811. By Deborah Weiss. Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print. New York: Palgrave Macmillan, 2017.
A History of Early Modern Women's Writing. Edited by Patricia Phillippy. Cambridge: Cambridge University Press, 2018.
Interfamily Tanci Writing in Nineteenth-Century China: Bonds and Boundaries. By Yu Zhang. Lanham, MD: Lexington Books, 2018.
Jane Austen and Masculinity. Edited by Michael Kramp. Transits: Literature, Thought and Culture, 1650-1850. Lewisburg, PA: Bucknell University Press, 2018.
Migrating Fictions: Gender, Race, and Citizenship in U. S. Internal Displacements. By Abigail G. H. Manzella. Columbus: The Ohio State University Press, 2018.
Mihrî Hatun: Performance, Gender Bending, and Subversion in Ottoman Intellectual History. By Didem Havliogˇlu. Syracuse: Syracuse University Press, 2017.
Miss Stephen's Apprenticeship: How Virginia Stephens Became Virginia Woolf. By Rosalind Brackenbury. Muse Books: The Iowa Series in Creativity and Writing. Iowa City: University of Iowa Press, 2018.
Odious Caribbean Women and the Palpable Aesthetics of Transgression. By Gladys M. Francis. Lanham, MD: Lexington Books, 2017.
The Poems of Olivia Elder. Edited by Andrew Carpenter. Dublin: Irish Manuscripts Commission, 2017.
Politics and Affect in Black Women's Fiction. By Kathy Glass. Philosophy of Race. Lanham, MD: Lexington Books, 2018.
Posthuman Blackness and the Black Female Imagination. By Kristen Lillvis. Athens: University of Georgia Press, 2017.
The Radio. By Leontia Flynn. Winston-Salem, NC: Wake Forest University Press, 2018. [End Page 237]
Satire, Celebrity, and Politics in Jane Austen. By Jocelyn Harris. Transits: Literature, Thought and Culture, 1650-1850. Lewisburg, PA: Bucknell University Press, 2017.
Something Complete and Great: The Centennial Study of "My Ántonia." Edited by Holly Blackford. The Farleigh Dickinson University Press Series on Willa Cather in Memory of Merrill M. Skaggs. Madison, NJ: Farleigh Dickinson University Press, 2018.
Spoiling the Stories: The Rise of Israeli Women's Fiction. By Tamar Merin. Evanston, IL: Northwestern University Press, 2016.
Staging Creolization: Women's Theater and Performance from the French Caribbean. By Emily Sahakian. Charlottesville: University of Virginia Press, 2017.
Trapeze: The Unexpurgated Diary of Anaïs Nin, 1947-1955. Edited by Paul Herron. Athens, OH: Swallow Press, 2017.
Unveiling Desire: Fallen Women in Literature, Culture, and Films of the East. Edited by Devaleena Das and Colette Morrow. New Brunswick: Rutgers University Press, 2018.
We Were the Lucky Ones. By Georgia Hunter. New York: Penguin Books, 2017
Witness, Warning, and Prophecy: Quaker Women's Writing, 1655-1700. Edited by Teresa Feroli and Margaret Olofson Thickstun. The Other Voice in Early Modern Europe: The Toronto Series. Toronto: Iter Press and Arizona Center for Medieval and Renaissance Studies, 2018. [End Page 238]