Abstract

ABSTRACT:

This article examines the ways in which the US theatergoing public discussed and valued Irishness on stage in the early twenty-first century. It does so through examination of the public discourse which surrounded the 2005 revival of Eugene O'Neill's A Touch of the Poet, which starred Gabriel Byrne and which underscored elements of Irishness for the production, play, and playwright.

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Additional Information

ISSN
2161-4318
Print ISSN
1040-9483
Pages
pp. 95-113
Launched on MUSE
2018-04-24
Open Access
No
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