Artistic Production and the Making of the Artist: Applying Nishida Kitarō to Discussions of Authorship
From:
Philosophy East and West
Volume 68, Number 2, April 2018
pp. 477-496 | 10.1353/pew.2018.0042
Abstract
Abstract:
Nishida Kitarō's account of authorship and artistic production constitutes the focus of this essay. Its general thesis is that Nishida's keen attention to the subjective qua objective, active qua intuitive intersection can be used to articulate a new, bidirectional account of artistic production.
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