Abstract

Abstract:

Nishida Kitarō's account of authorship and artistic production constitutes the focus of this essay. Its general thesis is that Nishida's keen attention to the subjective qua objective, active qua intuitive intersection can be used to articulate a new, bidirectional account of artistic production.

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Additional Information

ISSN
1529-1898
Print ISSN
0031-8221
Pages
pp. 477-496
Launched on MUSE
2018-04-10
Open Access
No
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