Notes on Contributors
- Notes on Contributors
Jane Aaron is Emeritus Professor at the University of South Wales. Her publications include A Double Singleness: Gender and the Writings of Charles and Mary Lamb (1991), Nineteenth-Century Women's Writing in Wales (2007) and Welsh Gothic (2013).
Don Adams is Professor of English at Florida Atlantic University and has been a Fulbright Senior Scholar in Vietnam and India.
Edward Allen is a Lecturer in English at the University of Cambridge, and a Fellow of Christ's College. His current research centres on poetics, music, and technology; his work on Eliot includes a chapter about the poet's 'Radio Times' in The Edinburgh Companion to T. S. Eliot and the Arts (2016).
Jack Belloli is finishing a PhD at the University of Cambridge on skill in contemporary experimental theatre. His writing on theatre has also appeared in /Platform/ and /Women: A Cultural Review/.
David Ellis's affiliation, and a list of his publications, can be found on his website (@dellis-author.co.uk). His most recent book is Perfidious Albion: The Story of Stendhal and British Culture.
Kirsty Martin is Senior Lecturer in English Literature at the University of Exeter. Her first book, Modernism and the Rhythms of Sympathy, was published by Oxford University Press in 2013.
Helen Thaventhiran is a lecturer in literature at the University of Cambridge. Her book Radical Empiricists: Five Modernist Close Readers (OUP) was published in 2015. [End Page 99]
Ted Tregear is a PhD candidate at Trinity College, Cambridge, working on Shakespeare and Renaissance anthologies, with side interests in modern and early modern aesthetic theory.
Geoffrey Wall is Professor of Modern European Literature at the University of York. He has published translations of most of Flaubert, a biography of Flaubert and a biography of Flaubert's father, AchilleCléophas. He is currently writing a biography of George Sand. [End Page 100]
