Abstract

Abstract:

This article considers the fiction of the neglected early twentieth-century British novelist Ronald Firbank from the point of view of its relationship to the ethical aesthetics of Oscar Wilde as exemplified in his famous dictum that truth is a matter of style. The article argues that the highly stylised characteristics of Firbank's fiction that critical commentators have found most off-putting are the very characteristics that most fully and convincingly exemplify and express the subjective individualism that is the ideal of Wilde's late-Romantic ethical aesthetics.

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