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  • Contributors

Hector Amaya is professor of media studies at the University of Virginia. He is author of Citizenship Excess: Latinas/os, Media and the Nation (New York University Press, 2013) and Screening Cuba: Film Criticism as Political Performance during the Cold War (University of Illinois Press, 2010). He latest book, Trafficking: The Violent Restructuring of Publicity in Mexico and the United States, is forthcoming from Duke University Press.

Sangita Gopal is associate professor of English at the University of Oregon. She is author of Conjugations: Marriage and Form in New Bollywood Cinema (University of Chicago Press, 2011) and coeditor with Rajinder Dudrah, Anustup Basu, and Amit Rai of Intermedia in South Asia: The Fourth Screen (Routledge, 2012) and with Sujata Moorti of Global Bollywood: Travels of Hindi Film Music (Minneapolis: University of Minnesota Press, 2008).

Elena Gorfinkel is senior lecturer in film studies at King's College London. She is author of Lewd Looks: American Sexploitation Cinema in the 1960s (University of Minnesota Press, 2017) and coeditor with John-David Rhodes of Taking Place: Location and the Moving Image (University of Minnesota Press, 2011).

Hunter Hargraves is assistant professor of cinema and television arts at California State University, Fullerton. He is currently finishing a manuscript on affective discomfort in contemporary American television.

Lucas Hilderbrand is associate professor of film and media studies at the University of California, Irvine. He is author of Paris Is Burning: A Queer Film Classic (Arsenal Pulp Press, 2013) and Inherent Vice: Bootleg Histories of Videotape and Copyright (Duke University Press, 2009).

Jennifer Malkowski is assistant professor of film and media studies at Smith College. She is author of Dying in Full Detail: Mortality and Digital Documentary (Duke University Press, 2017) and coeditor with TreaAndrea M. Russworm of Gaming Representation: Race, Gender, and Sexuality in Video Games (Indiana University Press, 2017).

Kristen J. Warner is associate professor in the Department of Journalism and Creative Media at the University of Alabama. She is author of The Cultural Politics of Colorblind TV Casting (Routledge, 2015). Warner's work can be found in academic journals and a host of anthologies and websites such as the Los Angeles Review of Books, Antenna, Flow, and In Media Res. [End Page 147]

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