In lieu of an abstract, here is a brief excerpt of the content:

  • Color Plates

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COLOR PLATE A.

UR-WRITINGS: A GEOPHONOGRAPHIC FICTION

Visualization of the three stages of the geophonographic method. (© Will Schrimshaw) (See article in this issue by Will Schrimshaw.)

[End Page 19]


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COLOR PLATE B.

FACES IN MOTION: EMBODIMENT, EMOTION AND INTERACTION

Screenshots from the (e)motion software. Left: a face detected by the face recognition algorithm and divided into six segments. Right: motion vectors projected onto the face. (© Barbara Nordhjem) Note that these are the raw vectors; see Fig. 3 for the final visualization. (See article in this issue by Barbara Nordhjem, Jan Klug and Bert Otten.)

[End Page 20]


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COLOR PLATE C.

HEARTBEATSANDTHEARTS: AHISTORICALCONNECTION

Jean Dupuy, Cone Pyramid: Heart Beats Dust, 1968. (© ADAGP, Paris/Courtesy of Loevenbruck, Paris. Photo: Terry Stevenson.) (See article in this issue by Claudia Arozqueta.)

[End Page 21]


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COLOR PLATE D.

YLEM: SERVING ARTISTS USING SCIENCE AND TECHNOLOGY,1981–2009

Sketch of performance by Jodie Gillerman at CADRE, 1984, colored markers. (© Trudy Myrrh Reagan) (See article in this issue by Trudy Myrrh Reagan.)

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 19-22
Launched on MUSE
2018-02-16
Open Access
No
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