Contributors
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Mark Algee-Hewitt is Assistant Professor of English and Digital Humanities at Stanford University. He is the director of the Stanford Literary Lab, where he leads projects on suspense literature and the language of identity in American fiction. His current book project, The Afterlife of Aesthetics, uses computational models to explore the development of aesthetics in the long eighteenth century.
Rafael Alvarado is Research Assistant Professor in the Data Science Institute, University of Virginia, where he focuses on cultural analytics and the application of data science to the study of culture and social action. A career digital humanist, he has developed database software for several projects, including the Charrette, Shahnameh, and Geniza Projects at Princeton University, the House Divided Project at Dickinson College, and the Digital Yoknapatawpha Project at Virginia. He has a PhD in cultural anthropology from the University of Virginia and has taught and published in the areas of digital scholarship and the anthropology of information.
Lauren M. E. Goodlad is Professor of English at Rutgers University–New Brunswick. Between 2008 and 2014, she was director of the Unit for Criticism and Interpretive Theory at the University of Illinois–Urbana, where she was also Kathryn Paul Professorial Scholar and Professor of English. Her recent publications include The Victorian Geopolitical Aesthetic: Realism, Sovereignty, and Transnational Experience (2015) and "Worlding Realisms," a special issue she edited for Novel: A Forum on Fiction (2016).
Chris Hann is a founding director of the Max Planck Institute for Social Anthropology (Halle/Saale) and a Fellow of Corpus Christi College, Cambridge. Before to moving to Germany in 1997, he taught social anthropology at the Universities of Cambridge and Kent (Canterbury). He has worked in various regions of Eurasia, specializing in the economic and political anthropology of socialist and postsocialist societies.
Paul Humphreys is Commonwealth Professor of Philosophy at the University of Virginia and codirector of the Center for the Study of Data and Knowledge and of the Human and Machine Intelligence Group. His research interests include the epistemology of data, emergence, and computational methods. His most recent book is Emergence: A Philosophical Account (2016). [End Page 789]
Martin Jay is Sidney Hellman Ehrman Professor Emeritus of History at the University of California–Berkeley. Among his works are The Dialectical Imagination (1973 and 1996); Marxism and Totality (1984); Adorno (1984); Permanent Exiles (1985); Fin-de-Siècle Socialism (1989); Force Fields (1993): Downcast Eyes (1993); Cultural Semantics (1998); Refractions of Violence (2003); La Crisis de la experiencia en la era postsubjetiva, ed. Eduardo Sabrovsky (2003); Songs of Experience (2004); The Virtues of Mendacity: On Lying In Politics (2010), Essays from the Edge (2011), Kracauer: l'Exil (2014); and Reason After its Eclipse: On Late Critical Theory (2016). His research interests are in modern European intellectual history, critical theory, and visual culture.
Caroline Levine is David and Kathleen Ryan Professor of the Humanities at Cornell University. She is the author of The Serious Pleasures of Suspense (2003); Provoking Democracy: Why We Need the Arts (2007); and Forms: Whole, Rhythm, Hierarchy, Network (2015). She is also the nineteenth-century editor of the Norton Anthology of World Literature and producer of a podcast series called "What Makes Us Human?"
Darrin M. McMahon is Mary Brinsmead Wheelock Professor of History at Dartmouth College and coeditor of Modern Intellectual History. He is the author, most recently, of Divine Fury: A History of Genius (2013) and coeditor, with Samuel Moyn, of Rethinking Modern European Intellectual History (2014) and, with Joyce Chaplin, of Genealogies of Genius (2016).
Ayesha Ramachandran is Assistant Professor of Comparative Literature at Yale University. She is the author of The Worldmakers: Global Imagining in Early Modern Europe (2015) and coeditor, with Melissa Sanchez, of "Spenser and The Human," a special issue of Spenser Studies (2016). [End Page 790]
