Abstract

Mark Hopkins, Co-Artistic Director of Calgary’s Swallow-a-Bicycle Theatre, reflects on the company’s attempts to create an immersive theatre production, Gargantuan, focused on individual and collective complicity in existential global challenges like climate change, social and economic inequities, resource depletion, etc. The article outlines Gargantuan’s development from 2015 to 2016, and the many difficulties that Swallow-a-Bicycle encountered in creating immersive theatre.

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Additional Information

ISSN
1920-941X
Print ISSN
0315-0836
Pages
pp. 53-58
Launched on MUSE
2018-02-14
Open Access
No
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