Abstract

In this article, I will look at the immersive work that I’ve collaborated on, and attempt to articulate how sound plays into the construction and mechanics of each piece. I want to share the notions that I brought into each process, how they played out and fed into the next project, and the ways that sound supports and becomes integral to immersive, site-specific work. The two pieces that I will refer to most, Podplays and Landline, are locative works set in the city space.

pdf

Additional Information

ISSN
1920-941X
Print ISSN
0315-0836
Pages
pp. 48-52
Launched on MUSE
2018-02-14
Open Access
No
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