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  • Contributors

james d. lilley, Associate Professor of English at University of Albany, SUNY, is the author of Common Things: Romance and the Aesthetics of Belonging in Atlantic Modernity (Fordham 2014) and editor of Cormac McCarthy: New Directions (University of New Mexico Press 2014). His work on C18 and C19 British and American literatures has appeared in journals such as ELH and New Literary History, and he is currently at work on a new book, Impersonal Movements: On Literature and Gesture, that traces the genealogy of allegorical and gestural aesthetics in the American literary tradition from Jonathan Edwards to Herman Melville.

matthew mutter teaches American literature and Anglo-American modernism at Bard College. His scholarship focuses on the intersections among modernist literature, philosophy, and intellectual history. Author of Restless Secularism: Modernism and the Religious Inheritance (Yale University Press 2017), he is currently working on a study of American literature’s resistance to the social sciences.

amy clukey is Assistant Professor of English at the University of Louisville. Her writing has appeared, or is forthcoming, in Modernism/Modernity, PMLA, The New Hibernia Review, Modern Fiction Studies, American Literature, and Twentieth-Century Literature, among other venues. She co-edited a special issue of the journal Global South on the topic of “plantation modernity” with Jeremy Wells (2017), and she is currently coediting a collection of essays on speculative Souths with Erich Nunn and Jon Smith. She is completing a monograph entitled Plantation Modernism: Transatlantic Anglophone Fiction 1890–1950.

susan goodman is the author of Edith Wharton’s Women (UPNE 1990) and Edith Wharton’s Inner Circle (University of Texas Press 1994), and has written biographies of Ellen Glasgow, William Dean Howells, and Mary Austin. She is H. Fletcher Brown Chair of Humanities Professor Emerita at the University of Delaware. [End Page 133]

ian kinane is Lecturer in English Literature at the University of Roehampton. He is the author of Theorising Literary Islands (Rowman & Littlefield 2016); editor of Didactics and the Modern Robinson-ade (Liverpool University Press 2018); and co-editor of Landscapes of Liminality: Between Space and Place (Rowman & Littlefield 2016). He is currently preparing a monograph on Ian Fleming, James Bond, and British-Jamaican cultural relations, and he is the editor of the International Journal of James Bond Studies. [End Page 134]

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