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"Utterly False, Utterly Undeniable": Visual Strategies in the Akaniṣṭha Shrine Murals of Takden Phuntsokling Monastery
- Archives of Asian Art
- Duke University Press
- Volume 67, Number 2, October 2017
- pp. 143-187
- Article
- Additional Information
abstract:
This essay argues that the design strategies of the murals in the Akaniṣṭha Shrine, the top-floor shrine at Tāranātha's Takden Phuntsokling, were intended to provoke in the viewer a type of absorption compatible with Tibetan Buddhist values. This would have been in line with contemporaneous recognition of the potential for consecrated works of art to provide direct contact with the deity depicted. By eliminating framing and boundaries between scenes, minimizing inscriptions, employing the gaze to foster internal and external coherence, and using detailing, highlighting, and a painterly illusion of proximity, the murals invite the beholder to engage with an aesthetic of presence.