Contributors
- Contributors
JOHN BORGONOVO lectures in the School of History at University College Cork. His books, journal articles, and book chapters have explored various aspects of Ireland's revolutionary and First World War experiences. Among his monographs is The Dynamics of War and Revolution: Cork City, 1916–1918 (Cork University Press, 2013), which explores the emergence of a mass movement for Irish independence following the Easter Rising. He is the associate editor of the acclaimed and weighty Atlas of the Irish Revolution (2017).
MICHAEL DE NIE is professor of history at the University of West Georgia. He has published widely on the British and Irish press and on Ireland and empire. His first book, The Eternal Paddy: Irish Identity and the British Press, 1798–1882 (2004), was awarded the James S. Donnelly, Sr., Prize by the American Conference for Irish Studies. He is currently conducting a study of the late Victorian press and revolutionary Islam.
ENDA DUFFY is Arnhold Presidential Department Chair of English at the University of California Santa Barbara and author of The Subaltern Ulysses (1996) and The Speed Handbook: Velocity, Pleasure, Modernism (2009), which won the Modernist Studies Association Prize for the best book in Modernist Studies. He has coedited Joyce, Benjamin, and Magical Urbanism (2011) and edited The Best Short Stories [End Page 272] of Katherine Mansfield (2011) and an edition of Joyce's Ulysses. He is writing a book on twentieth-century accounts of human and global energy, and has just completed the book project Wild Irish: The Emigrant People's History of Irish Literature.
COLUM KENNY is emeritus professor of the School of Communications in Dublin City University. He is the author of Irish-American Odyssey (2014), a study of immigrants in the United States with particular reference to a family active in the arts, law, and media. His other works include Moments That Changed Us: Ireland after 1973 (2005). He served as a board member of the Irish broadcasting regulator from 1998 to 2003 and again from 2010 to 2015. A founding and council member of the Irish Legal History Society, his current research interests include anti-Semitism and Zionism in Ireland.
MATTHEW KNIGHT is Director of Special Collections at the University of South Florida, where he also teaches "The Irish in America" and "Irish Rebels and Revolutionaries" through the department of history. A graduate of Harvard's Celtic Languages and Literatures program, he has published on various issues in librarianship, though his major research involves nineteenth-century Irish American newspapers and the University of South Florida's Dion Boucicault Theatre Collection.
JASON KNIRCK is professor of history at Central Washington University. His research focuses on the political culture of the Irish revolutionary era. He is the author of Afterimage of the Revolution: Cumann na nGaedheal and Irish Politics (2014); Women of the Dáil: Gender, Republicanism, and the Anglo-Irish Treaty (2006); and Imagining Ireland's Independence: The Debates over the Anglo-Irish Treaty of 1921 (2006). He is currently working on a monograph on the development of a loyal parliamentary opposition in the Irish Free State.
DECLAN MCGONAGLE directed Derry's Orchard Gallery and London's ICA Exhibitions Programme and was founding director of the Irish Museum of Modern Art and the Civil Arts Inquiry in Dublin. He also directed Interface, a research center at the University of Ulster, and retired from the post of director of Dublin's National College of [End Page 273] Art and Design. He has been the Irish Commissioner of the Venice and Sao Paulo Biennales and has directed international independent exhibitions and public art projects in Ireland and the United Kingdom, serving on the Turner Prize jury and other national and international awards panels. He lectures and writes on relations between art, institutions, and public value.
EMER O'TOOLE is assistant professor of Irish Performance Studies at the School of Irish Studies, Concordia University. She is author of Girls Will Be Girls (2015), which aims to make the theory of gender performativity accessible to a nonacademic audience, and coeditor of Ethical Exchanges in Translation, Adaptation, and Dramaturgy (2017), which unpacks the ethical dimensions of the theatrical practices of translation, adaptation, and dramaturgy. Her scholarly work has...
