Index to Volume 60, 2017

ARTICLES
balkin, sarah. Monist Dramaturgy in Strindberg’s The Black Glove	251
claycomb, ryan. Annawadi on the South Bank: Global Neoliberalism and Spatial Contingency in Behind the Beautiful Forevers	407
de witte, ben. Dramatizing Queer Visibility in El público: Federico García Lorca in Search of a Modern Theatre	25
emre, merve. Out-of-the-Way Closets: “Kabnis,” Race, and Closet Drama	133
essif, les. Contemporary French Drama and the Stupidity of/in the Capitalist Labour Pool: The Case of Joël Pommerat	448
harries, martin. Still: Sarah Kane after Beckett and Joy Division	1
heller, jennifer. “To Follow Pleasure’s Sway”: Atomism in Sarah Ruhl’s The Clean House	428
hoxworth, kellen. Strains of the Enlightenment: Making Belief in American Secularism and African Difference in The Book of Mormon	364
low, stephen. Feeling Privileged: The Shame of Whiteness in Caroline, or Change	278
marcus, sharon. Sarah Bernhardt’s Exteriority Effects	296
mctighe, trish. Museum, Furniture, Men: The Queer Ecology of I Am My Own Wife	150
sikes, alan. Performativity and the Persistence of the Golem Legend	169
orem, sarah. Signifyin(g) When Vexed: Black Feminist Revision, Anger, and A Raisin in the Sun	189
proudfit, scott. Reunion, Complication, Refraction, and Translation: How Postcolonialism and Post-Structuralism Mark Bengal Tiger at the Baghdad Zoo	480
samantrai, ranu. Sermon and Spectacle: J.B. Priestley’s An Inspector Calls	212
sofer, andrew. Tragedy and the Common Goat: Deperformative Poetics in Edward Albee’s The Goat, or Who Is Sylvia?	501
spalink, angenette. Taphonomic Historiography: Excavating and Exhuming the Past in Suzan-Lori Parks’s The America Play	69
varney, denise. Feeling, Sensation, and Being Moved: Case Studies in Affective Performance	322
wakeling, corey. Samuel Beckett’s Hypnotic Theatre	342
wilson, sue. Samuel Beckett’s Krapp’s Last Tape: Remembering Kant, Forgetting Proust	46
wixson, christopher. Looking After the Drainage: Health, Marketing, and the Turkish Bath in Bernard Shaw’s Misalliance	89
REVIEWS
aaltonen, sirkku and areeg ibrahim, eds. Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics by Rebekah Maggor	387
aston, elaine and mark o’thomas. Royal Court: International by Margherita Laera	231
bay-cheng, sarah, jennifer parker-starbuck, and david z. saltz, eds. Performance and Media: Taxonomies for a Changing Field by Chris Salter	233
brater, jessica silsby. Ruth Maleczech at Mabou Mines: Woman’s Work by Iris Smith Fischer	236
cabranes-grant, leo. From Scenarios to Networks: Performing the Intercultural in Colonial Mexico by Patricia Ybarra	526
chen, xiaomei. Staging Chinese Revolution: Theater, Film, and the Afterlives of Propaganda by Daphne P. Lei	528
cox, emma. Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism by Helena Grehan	389
dox, donnalee. Reckoning with Spirit in the Paradigm of Performance by Claire Maria Chambers	115
fitzpatrick dean, joan. All Dressed Up: Modern Irish Historical Pageantry by Anthony Roche	113
geis, deborah r., ed. Beat Drama: Playwrights and Performances of the “Howl” Generationby Stephen Bottoms	392
helland, frode. Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power by Errol Durbach	118
herrera, brian eugenio. Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance by Anne García-Romero	394
holledge, julie, jonathan bollen, forde helland, and joanne tompkins. A Global Doll’s House: Ibsen and SItant Visions by Dean Krouk	531
isaka, maki. Onnagata: A Labyrinth of Gendering in Kabuki Theater by Carol Fisher Sorgenfrei	238
jakovljević, branislav. Alienation Effects: Performance and Self-Management in Yugoslavia,1945–91 by Duška Radosavljević	533
johnston, kristy. Disability Theatre and Modern Drama: Recasting Modernism by Patrick McKelvey	241
jones, douglas a., jr. The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North by Tavia Nyong’o	121
kim, ju yon. The Racial Mundane: Asian American Performance and the Embodied Everyday by Colleen Kim Daniher	397
kornhaber, david. The Birth of Theater from the Spirit of Philosophy: Nietzsche and the Modern Drama by Tom Stern	399
koustas, jane. Robert Lepage on the Toronto Stage: Language, Identity, Nation by Ric Knowles	243
kundu, manujendra. So Near, Yet So Far: Badal Sircar’s Third Theatre by Sukanya Chakrabarti	401
laster, dominika. Grotowski’s Bridge Made of Memory...