Leonardo Volume 50 and Leonardo Music Journal Volume 27

A’BEAR, LUKE; HAYWARD, JAMES CURTIS and ROOT-BERNSTEIN, MEREDITH. “Conservation Science and Contemporary Art: Thinking about Tenerife,” Leonardo 50, No. 1 (2017).

AHMEDIEN, DIAA AHMED MOHAMED. “Reactivating the Neural Dimension Role in Interactive Arts,” Leonardo 50, No. 2 (2017).

ALBRECHT, KIM; DÖRK, MARIAN and MÜLLER, BORIS. “Culturegraphy,” in Special Section “Highlights from the IEEE VIS 2014 Arts Program (VISAP’14): Part 2,” Leonardo 50, No. 2 (2017).

APPUDURAI, AUDREY. “Other-Worlds: Encounters with the Visual Perception of Lungfishes through Science and Art,” in Special Section “Leo nardo Abstracts Service: Top-Rated LABS Abstracts 2016,” Leonardo 50, No. 5 (2017).

ARTINIAN, ARTO and WILSON, ADAM JAMES, “On Improvised Music, Computational Creativity and Human-Becoming,” Leonardo Music Journal 27 (2017).

BAETENS, JAN. Review of American Pulp: How Paperbacks Brought Modernism to Main Street by Paula Rabinowitz, Leonardo 50, No. 2 (2017).

BAETENS, JAN. Review of Barnstorming the Prairies: How Aerial Vision Shaped the Midwest by Jason Weems, Leonardo 50, No. 1 (2017).

BAETENS, JAN. Review of Holograms: A Cultural History by Sean F. Johnston, Leonardo 50, No. 2 (2017).

BAETENS, JAN. Review of Illegal Literature: Toward a Disruptive Creativity by David S. Rob, Leonardo 50, No. 1 (2017).

BAETENS, JAN. Review of Imagining Extinction: The Cultural Meanings of Endangered Species by Ursula K. Heise, Leonardo 50, No. 5 (2017).

BAETENS, JAN. Review of The Perversity of Things: Hugo Gernsback on Media, Tinkering, and Scientifiction edited by Grant Wythoff, Leonardo 50, No. 5 (2017).

BAETENS, JAN. Review of Rogue Archives: Digital Cultural Memory and Media Fandom by Abigail De Kosnik, Leonardo 50, No. 5 (2017).

BAETENS, JAN. Review of Selling Digital Music, Formatting Culture by Jeremy Wade Morris, Leonardo 50, No. 1 (2017).

BAETENS, JAN. Review of When Movies Were Theater: Architecture, Exhibition, and the Evolution of American Film by William Paul, Leonardo 50, No. 3 (2017).

BAZO, DANNY. “Automatically Generating Animations from Escher’s Images,” in Special Section “Highlights from the IEEE VIS 2014 Arts Program (VISAP’14): Part 1,” Leonardo 50, No. 1 (2017).

BLUFF, ANDREW and JOHNSTON, ANDREW. “Creature:Interactions: A Social Mixed-Reality Playspace,” in Leonardo Special Issue: SIGGRAPH 2017 Art Papers and Unsettled Artifacts Art Gallery, Leonardo 50, No. 4 (2017).

BOGART, BENJAMIN DAVID ROBERT. “A Machine That Dreams: An Artistic Enquiry Leading to an Integrative Theory and Computational Artwork,” in Special Section “Leonardo Abstracts Service: Top-Rated LABS Abstracts 2016,” Leonardo 50, No. 5 (2017).

BOUCHER, MARC. “A Study on Proprioception and Peripheral Vision in Synesthesia and Immersion,” Leonardo 50, No. 2 (2017).

BOURNEUF, ANNIE. “Interfaces and Proxies: Placing László Moholy-Nagy’s Prints,” in Special Section “In Focus: László Moholy-Nagy,” Leonardo 50, No. 3 (2017).

BOWEN, DAVID. “Experiments at Djerassi,” in “Scientific Delirium Madness 3.0” Gallery section, Leonardo 50, No. 3 (2017).

BROAD, TERENCE and GRIERSON, MICK. “Autoencoding Blade Runner: Reconstructing Films with Artificial Neural Networks,” in Leonardo Special Issue: SIGGRAPH 2017 Art Papers and Unsettled Artifacts Art Gallery, Leonardo 50, No. 4 (2017).

BROSENS, KOENRAAD; AERTS, JAN; ALEN, KLARA; SLEGTEN, ASTRID and TRUYEN, FRED. “Visualizing and Analyzing Complex and Dynamic Networks of Flemish Tapestry Entrepreneurs (1640–1720),” in Special Section “Arts, Humanities and Complex Networks 2015,” Leonardo 50, No. 5 (2017).

BULLOCK, MICHAEL T., “DATs, Mini-Discs and the Self-Idiomatic Archive,” Leonardo Music Journal 27 (2017).

CAKL, ONDŘEJ. “Molding the Signifier by Ivor Diosi: An All-too-Human Victor,” in Special Section “Trust Me, I’m an Artist: Part 2,” Leonardo 50, No. 1 (2017).

CALOW, ASA. “Reality Break,” in “Scientific Delirium Madness 3.0” Gallery section, Leonardo 50, No. 3 (2017).

CAMERON, LAURA J. and ROGALSKY, MATT, “Soundwalking Salzburg, Forty Years Later,” Leonardo Music Journal 27 (2017).

CARRIER, DAVID. “The Story of Leonardo: One Author’s Perspective,” Leonardo 50, No. 3 (2017).

CASINI, SILVIA. “Scanning, Framing and Close-Up: Reimaging the Brain in 265 Looping Snapshots,” Leonardo 50, No. 2 (2017).

CHEN, YI-HUEI and LAI, WEN-SHU. “Conceptual and Aesthetic Dimensions of an ECG/RESP Sensor Artwork,” Leonardo 50, No. 1 (2017).

CLAES, SANDY and VANDE MOERE, ANDREW. “What Public Visualization Can Learn from Street Art,” in Special Section “Highlights from the...