Abstract

This article reviews the compositional practice of Peruvian electroacoustic music in the 1960s, to investigate the methods and sources of influence on music and new technologies of that time. It therefore explores local expressions and national and regional identities through elements of folk and traditional music used in these practices. The analysis of this repertoire, from a cross-cultural perspective, sheds new light on the history and originality of experimental art and music in Peru, as well as on Peruvian ethnomusicology.

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Additional Information

ISSN
1531-4812
Print ISSN
0961-1215
Pages
pp. 93-97
Launched on MUSE
2017-12-15
Open Access
No
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