Abstract

The author discusses recent efforts to archive his personal catalog of live recordings on Digital Audio Tape (DAT) and MiniDisc and the challenges that arise in returning to these once popular, now defunct formats. The materialized history represented by the objects puts pressure on the memories of what they contain.

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Additional Information

ISSN
1531-4812
Print ISSN
0961-1215
Pages
pp. 45-46
Launched on MUSE
2017-12-15
Open Access
No
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