Abstract

This text discusses sound art projects in which artists have used augmented reality along with recordings or data of public spaces. All the works mentioned here were carried out in Spain from 2010 to 2016. In them, memories become tied to the physical space through social interactions facilitated by communication technologies; listeners get involved through the use of mobile devices. These practices consider the role of sound in the display of memories in the public space, thus configuring a subjective memory that contrasts with the institutional narrations of the history of a place.

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Additional Information

ISSN
1531-4812
Print ISSN
0961-1215
Pages
pp. 12-16
Launched on MUSE
2017-12-15
Open Access
No
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