Abstract

abstract:

In the seventeenth-century Netherlands, drama and politics were interwoven with one another. This was also the case with the controversial morality play Tieranny van Eigenbaat (Tyranny of Egoism, 1679), which opposed the House of Orange, and especially William III, Stadtholder of the Netherlands and King of England (who was, according to the writers of the play, a true example of uncontrolled egoism). Although the main character Eigenbaat (Egoism) disguises himself as a warrior woman (an Amazon) to seize power, his cross-dressing has not been discussed in relation to rumors surrounding William's alleged sexual preferences. By "reading against the grain," this article discusses the so-called faultlines, where the characters display same-gender passions for each other. The article focusses on two examples of such relationships: Egoism, who seduces Lady Will, while in female disguise, and the intimate nature of Egoism's relationship with his male servant and slave, Vice. As such, the article offers an elaboration on the thesis that Tieranny van Eigenbaat was used by the republican authorities of Amsterdam as a propaganda play to discredit William III for rule, as well as his offspring.

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