Abstract

Israeli playwright and director Eyal Weiser challenges the language of performance by creating fictional performance artists who respond to real events in Israel. By reintroducing fiction and theatricality into the autobiographical mode of performance art, Weiser destabilizes a coherent sense of identity and underscores some of the complex issues of history and identity facing Israeli society.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 22-39
Launched on MUSE
2017-11-21
Open Access
No
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