- Tower
You see, by the time I woke up, the sky
and ocean were the samehot white, moth after
moth flown into the window, so it hurt to look downtoward the tower. To let it stare up at me
from its promontoryinto my troubles.
I had to wait till dusk, late dusk, when everything
is some shade of purple, to walk down here.I know the top
is broken like the snapped-off tipof a boar tusk, one side a cascade
of schist. But I stand with my back to it, facethe southern coves,
where mermen used to live
and red coral still burnsunderwater. The wateris a dark blue, air lavender,
earth lavender … Like waking up refreshed, at last,after a long sleep,
to only the sounds of a forest, or like the crust over a wound
sloughing off all at onceafter days of balm, then days of—I have [End Page 161] a wish I wouldn't know
how to tell you or anyone, something to do withdestiny and rescue,an eagle pecking at an eel
until all the meat is gone.Patience.
Receptivity as power,rootedness but not
forever, wholehearted form,formlessness …
The wish throbs, mistranslated. I have a wound that won't heal.
The village lights come on.(You know it won't heal.)
The cathedral forgetsits evening bells. Instead I hear
waves. Starlings.Above in the mountains
someone is up late. He's cutting into rock. [End Page 162]
Greg Wrenn is the author of Centaur (University of Wisconsin Press, 2013), selected by Terrance Hayes for the Brittingham Prize. His work has appeared in Best American Poetry 2014, AGNI, American Poetry Review, Yale Review, Kenyon Review, New Republic, and elsewhere. A former Stegner Fellow and Jones Lecturer at Stanford University, he is currently an assistant professor of English at James Madison University, where he teaches poetry and environmental literature. He is at work on an eco-memoir about his time at remote coral reefs in Indonesia.