Approaches to Teaching the Novels of Nella Larsen. Edited by Jacquelyn Y. McLendon. Approaches to Teaching World Literature. New York: Modern Language Association of America, 2016.
Archives of Labor: Working-Class Women and Literary Culture in the Antebellum United States. By Lori Merish. Durham, NC: Duke University Press, 2017.
Being Ugly: Southern Women Writers and Social Rebellion. By Monica Carol Miller. Southern Literary Studies. Baton Rouge: Louisiana State University Press, 2017.
British Boarding Houses in Interwar Women’s Literature: Alternative Domestic Spaces. By Terri Mullholland. New York: Routledge, 2017.
Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation. By Sarah Wootton. New York: Palgrave Macmillan, 2016.
City Folk and Country Folk. By Sofia Khvoshchinskaya. Translated from Russian by Nora Seligman Favorov. New York: Columbia University Press, 2017.
The Composition of Sense in Gertrude Stein’s Landscape Writing. By Linda Voris. American Literature Readings in the 21st Century. Cham, Switzerland: Palgrave Macmillan, 2016.
A Curious Peril: H. D.’s Late Modernist Prose. By Lara Vetter. Gainesville: University Press of Florida, 2017.
Early Modern Women’s Writing: Domesticity, Privacy, and the Public Sphere in England and the Dutch Republic. By Martine van Elk. Early Modern Literature in History. Cham, Switzerland: Palgrave Macmillan, 2017.
Flashlight Girls Run. By Stephanie Dickinson. New Meridian Arts, 2017.
From Domestic Women to Sensitive Young Men: Translating the Individual in Early Colonial Korea. By Yoon Sun Yang. Cambridge: Harvard University Press, 2017.
Gender in the Twenty-First Century: The Stalled Revolution and the Road to Equality. Edited by Shannon N. Davis, Sarah Winslow, and David J. Maume. Oakland: University of California Press, 2017.
Heartthrobs: A History of Women and Desire. By Carol Dyhouse. Oxford: Oxford University Press, 2017.
Imagining Sisterhood in Modern Chinese Texts, 1890–1937. By Yun Zhu. Lanham, MD: Lexington Books, 2017.
Indigenous Women’s Writing and the Cultural Study of Law. By Cheryl Suzack. Toronto: University of Toronto Press, 2017.
The Ladies of Llangollen: Desire, Indeterminacy, and the Legacies of Criticism. [End Page 519] By Fiona Brideoake. Transits: Literature, Thought, and Culture, 1650–1850. Lewisburg, PA: Bucknell University Press, 2017.
L. M. Montgomery and War. Edited by Andrea McKenzie and Jane Ledwell. Montreal: McGill-Queen’s University Press, 2017.
Love and Narrative Form in Toni Morrison’s Later Novels. By Jean Wyatt. Athens: University of Georgia Press, 2017.
The Many Facades of Edith Sitwell. Edited by Allan Pero and Gyllian Phillips. Gainesville: University Press of Florida, 2017.
Mary Robinson and the Genesis of Romanticism: Literary Dialogues and Debts, 1784–1821. By Ashley Cross. New York: Routledge, 2017.
Maternal Metaphors of Power in African American Women’s Literature: From Phillis Wheatley to Toni Morrison. By Geneva Cobb Moore. Columbia: University of South Carolina Press, 2017.
Patriots, Prostitutes, and Spies: Women and the Mexican-American War. By John M. Belohlavek. Charlottesville: University of Virginia Press, 2017.
Questioning Nature: British Women’s Scientific Writing and Literary Originality, 1750–1830. By Melissa Bailes. Charlottesville: University of Virginia Press, 2017.
A Revelation of Purgatory. Edited and Translated from Latin and Middle English by Liz Herbert McAvoy. The Library of Medieval Women. Cambridge: D. S. Brewer, 2017.
Romance’s Rival: Familiar Marriage in Victorian Fiction. By Talia Schaffer. Oxford: Oxford University Press, 2016.
Sarah Waters: Gender and Sexual Politics. By Claire O’Callaghan. New York: Bloomsbury Academic, 2017.
Selected Poems of Angela de Hoyos. Edited by Gabriela Baeza Ventura. Houston: Arte Público Press, 2014.
Selected Poems of Nancy Cunard. Edited by Sandeep Parmar. Manchester: Carcanet Press, 2016.
The Short Story in Midcentury America: Countercultural Form in the Work of Bowles, McCarthy, Welty, and Williams. By Sam V. H. Reese. Baton Rouge: Louisiana State University Press, 2017.
Sin and Salvation in Early Modern France: Three Women’s Stories. By Marguerite D’Auge, Renée Burlamacchi, and Jeanne Du Laurens. Edited by Colette H. Winn. Translated from French by Nicholas Van Handel and Colette H. Winn. The Other Voice in Early Modern Europe: The Toronto Series. Toronto: Iter Press, 2017.
The Subversive Art of Zelda Fitzgerald. By Deborah Pike. Columbia: University of Missouri Press, 2017.
Trance Speakers: Femininity and Authorship in Spiritual Séances, 1850–1930. By Claudie Massicotte. Montreal: McGill-Queen’s University Press, 2017. [End Page...