Works Cited in this Issue

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Alexander, C. 2011. "Out of Context." NYT, April 6.

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Anderson, W. S. 1957. "Vergil's Second Iliad." TAPA 88: 17–30.

Arnold, Matthew 1970. Selected Prose. Harmondsworth.

Baehr, S. 1991. The Paradise Myth in Eighteenth-Century Russia: Utopian Patterns in Early Secular Russian Literature and Culture. Stanford.

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Barthes, Roland. 1977. "The Death of the Author." In Image / Music / Text. Trans by Stephen Heath, 142–47. New York.

Bartsch, S. 1998. "Ars and the Man: The Politics of Art in Virgil's Aeneid." CP 93: 32242.

Berger, H. 1984. "The Origins of Bucolic Representation: Disenchantment and Revision in Theocritus' Seventh Idyll." CA 3: 1–39.

Bethea, D. 1994. Joseph Brodsky and the Creation of Exile. Princeton.

Bowra, C. M. 1933. "Aeneas and the Stoic Ideal." G&R 3: 8–21.

Boyle, A. J. 1972. "The Meaning of the Aeneid. A Critical Inquiry: I: Empire and the Individual. An Examination of the Aeneid's Major Theme." Ramus 1: 63–90.

———2003. Ovid and the Monuments: A Poet's Rome. Bendigo, Victoria.

Broch, H. 1945. Der Tod des Vergil. New York.

Brodsky, J. 1981. "Virgil: Older than Christianity, a Poet for the New Age." Vogue (October) 178–80.

Brooks, R. 1953. "Discolor Aura: Reflections on the Golden Bough." AJP 74: 260–80 (= Commager 1966: 143–63).

Brower, R. 1951. The Fields of Light: An Experiment in Critical Reading. New York.

———1959. Alexander Pope: The Poetry of Allusion. Oxford.

———1971. Hero and Saint: Shakespeare and the Graeco-Roman Heroic Tradition. New York.

Brugnoli, G., and F. Stok 2006. Studi sulle Vitae Vergilianae. Pisa.

Brumm, A-M. 2002. "The Muse in Exile: Conversations with the Russian Poet, Joseph Brodsky." In Haven 2002: 13–35.

Cairns, F. 1989. Virgil's Augustan Epic. Cambridge.

Camps, W. A. 1969. An Introduction to Virgil's Aeneid. Oxford.

Clark, K. 2011. Moscow, the Fourth Rome. Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931–1941. Cambridge, MA.

Clark, R. 2007. "Dido's Moment of Death as a Cosmic Event in Vergil's Universe." In Granoff and Shinohara 2007: 251–74.

Clausen, W. 1964. "An Interpretation of the Aeneid." HSCP 68: 139–47 (= Commager 1966: 75–88).

———1964a. "Callimachus and Latin Poetry." GRBS 5: 181–96.

———1987. Virgil's Aeneid and the Tradition of Hellenistic Poetry. Berkeley and Los Angeles.

———1994. Virgil: Eclogues. Oxford.

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Coleman, R. 1977 (repr. 2001). Vergil: Eclogues. Cambridge.

Commager, S. 1962 (repr. Norman, OK 1995). The Odes of Horace: A Critical Study. New Haven.

———, ed. 1966. Virgil: A Collection of Critical Essays. Englewood Cliffs, NJ.

Connolly, J. 2001. "Picture Arcadia: The Politics of Representation in Vergil's Eclogues." Vergilius 47: 89–116.

Conte, G. 1984. Virgilio: il genere e i suoi confini. Milan. (Trans. by Conte 1986.)

———1986. The Rhetoric of Imitation: Genre and Poetic Memory in Virgil and Other Latin Poets. Trans. by Charles Segal. Ithaca and London. (Trans. of Conte 1984.)

———2007. The Poetry of Pathos: Studies in Virgilian Epic. Oxford.

Cooke, T., ed. 1741. Publii Virgilii Maronis Bucolica, Georgica, et Aeneis. London.

Davis, P. 1999. "Ovid's Amores: A Political Reading." CP 94: 431–49.

Deutsch, R. 1939. "The Pattern of Sound in Lucretius." Ph.D. diss., Bryn Mawr College.

DuBois, P. 1982. History, Rhetorical Description, and the Epic: From Homer to Spenser. Cambridge and Totowa, NJ.

Dunlap, D. 2014. "A Memorial Inscription's Grim Origins." NYT, April 2.

Dyson, J. 2001. King of the Wood: The Sacrificial Victor in Virgil's Aeneid. Norman, OK.

Eckmann, S. 2002. "Das Aeneis-Supplement der Pier Candido Decembrio: Die pessimistische 'Stimme' der Aeneis?" Neulateinisches Jahrbuch 4: 55–88.

Elder, J. P. 1947. "Catullus' Attis." AJP 68: 394–403.

———1951. "Notes on Some Conscious and Subconscious Elements in Catullus' Poetry." HSCP 60: 101–36.

———1961. "Non Iniussa Cano...