Books Received
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Books Received

Inclusion in this list neither implies nor precludes subsequent review. The editors regret that material sent for review cannot be acknowledged or returned.

Explorations in Schenkerian Analysis. Ed. by David Beach and Su Yin Mak. Pp. xii + 359. Eastman Studies in Music. (University of Rochester Press, Rochester, NY, and Woodbridge, 2016. £90. ISBN 978-1-58046-559-5.)
Giovanni Gabrieli: Transmission and Reception of a Venetian Musical Tradition. Ed. by Rodolfo Baroncini, David Bryant, and Luigi Collarile. Pp. viii + 262. Venetian Music: Studies I. (Brepols Publishers n.v., Turnhout, 2016. €106. ISBN 978-2-503-57027-3.)
Biagio Marini: Madrigali et Symfonie. By Aurelio Bianoc and Sara Dieci. Pp. 217. Épitome Musical. (Brepols Publishers n.v., Turnhout, 2014. €60. ISBN 978-2-503-55328-3.)
The Liber Ymnorum of Notker Balbulus. Ed. by Calvin M. Bower. Pp. 575. (Henry Bradshaw Society, Boydell & Brewer, Woodbridge and Rochester, NY, 2016. £120. ISBN 978-1-90749-729-2.)
From 1989, or European Music and the Modernist Unconscious. By Seth Brodsky. Pp. 368. (University of California Press, Oakland, Calif., 2017. £62.95. ISBN 978-0-520-27936-0.)
Digital Organization Tips for Music Teachers. By Robby Burns. Pp. xiv + 235. Essential Music Technology: The Prestissimo Series. (Oxford University Press, New York and Oxford, 2016. £12.99. ISBN 978-0-19-026101-6.)
Perspectives on Luca Marenzio's Secular Music. Ed. by Mauro Calcagno. Pp. 527. Épitome Musical. (Brepols Publishers n.v., Turnhout, 2016. €80. ISBN 978-2-503-55332-0.)
Angel Song: Medieval English Music in History. By Lisa Colton. Pp. 192. (Routledge, Abingdon and New York, 2017. £95. ISBN 978-4724-2568-3.)
The Arts and Culture of the American Civil War. Ed. by James A. Davis. Pp. 218. (Routledge, Abingdon and New York, 2016. £95. ISBN 978-4724-5451-5.)
Alberto Ginastera in Switzerland. Ed. by Angela Ida de Benedictis and Felix Meyer. Pp. 123. (Paul Sacher Stiftung, Basel, 2016. £18.99. ISBN 978-1-78454-283-2.)
Schnittke Studies. Ed. by Gavin Dixon. Pp. 274. (Routledge, Abingdon and New York, 2017. £95. ISBN 978-4724-7105-5.)
Klezmer: Music, History, and Memory. By Walter Zev Feldman. Pp. xxiv + 412. (Oxford University Press, New York and Oxford, 2016. £47.99. ISBN 978-0-19-024451-4.)
The Great Woman Singer: Gender and Voice in Puerto Rican Music. By Licia Fiol-Matta. Pp. xv + 291. Refiguring American Music. (Duke University Press, Durham, NC and London, 2017. £21.99. ISBN 978-0-8223-6293-7.)
Early English Viols: Instruments, Makers and Music. By Michael Fleming and John Bryan. Pp. 400. Music and Material Culture. (Routledge, Abingdon and New York, 2017. £95. ISBN 978-1-4724-6854-3.)
Dietrich Buxtehudes geistliche Vokalwerke: Texte, Formen, Gattungen. By Olga Gero. Pp. 429. Acta Universitatis Upsaliensis; Studia Musicologia Upsaliensia Nova series, 26 (Uppsala Universitet, Uppsala, 2016. SEK 358. ISBN 978-91-554-9691-3.)
Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Ed. by Kirsten Gibson and Ian Biddle. Pp. 280. (Routledge, Abingdon and New York, 2016. £95. ISBN 978-1-4094-4439-8.)
Dance and Drama in French Baroque Opera: A History. By Rebecca Harris-Warrick. Pp. xx + 484. Cambridge Studies in Opera. (Cambridge University Press, Cambridge and New York, 2016. £89.99. ISBN 978-1-107-13789-9.)
Ludwig van Beethoven: Missa Solemnis, op. 123. Ed. by Hans-Joachim Hinrichsen and Martina Rebmann. Documenta musicologica, II/51 Bärenreiter Facsimile. Pp. xxix + 340. (Bärenreiter-Verlag, Kassel. £556. ISBN 978-3761823958.)
'Poesie in reinstes Gold verwandeln ... ' Cervantes' Don Quijote in Literatur, Kunst, Musik und Philosophie. Ed. by Ute Jung-Kaiser and Annette Simonis. Pp. xiii + 314.) (Georg Olms Verlag, Hildesheim, Zurich, and New York, 2016. €58. ISBN 978-3-487-15425-1.)
Musicians in Transit: Argentina and the Globalization of Popular Music. By Matthew B. Karush. Pp. xi + 268. (Duke University Press, Durham, NC and London, 2017. £20.99. ISBN 978-0-8223-6236-4.)
Companion to Music in the Age...


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