Books Received
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Books Received

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Explorations in Schenkerian Analysis. Ed. by David Beach and Su Yin Mak. Pp. xii + 359. Eastman Studies in Music. (University of Rochester Press, Rochester, NY, and Woodbridge, 2016. £90. ISBN 978-1-58046-559-5.)
Giovanni Gabrieli: Transmission and Reception of a Venetian Musical Tradition. Ed. by Rodolfo Baroncini, David Bryant, and Luigi Collarile. Pp. viii + 262. Venetian Music: Studies I. (Brepols Publishers n.v., Turnhout, 2016. €106. ISBN 978-2-503-57027-3.)
Biagio Marini: Madrigali et Symfonie. By Aurelio Bianoc and Sara Dieci. Pp. 217. Épitome Musical. (Brepols Publishers n.v., Turnhout, 2014. €60. ISBN 978-2-503-55328-3.)
The Liber Ymnorum of Notker Balbulus. Ed. by Calvin M. Bower. Pp. 575. (Henry Bradshaw Society, Boydell & Brewer, Woodbridge and Rochester, NY, 2016. £120. ISBN 978-1-90749-729-2.)
From 1989, or European Music and the Modernist Unconscious. By Seth Brodsky. Pp. 368. (University of California Press, Oakland, Calif., 2017. £62.95. ISBN 978-0-520-27936-0.)
Digital Organization Tips for Music Teachers. By Robby Burns. Pp. xiv + 235. Essential Music Technology: The Prestissimo Series. (Oxford University Press, New York and Oxford, 2016. £12.99. ISBN 978-0-19-026101-6.)
Perspectives on Luca Marenzio's Secular Music. Ed. by Mauro Calcagno. Pp. 527. Épitome Musical. (Brepols Publishers n.v., Turnhout, 2016. €80. ISBN 978-2-503-55332-0.)
Angel Song: Medieval English Music in History. By Lisa Colton. Pp. 192. (Routledge, Abingdon and New York, 2017. £95. ISBN 978-4724-2568-3.)
The Arts and Culture of the American Civil War. Ed. by James A. Davis. Pp. 218. (Routledge, Abingdon and New York, 2016. £95. ISBN 978-4724-5451-5.)
Alberto Ginastera in Switzerland. Ed. by Angela Ida de Benedictis and Felix Meyer. Pp. 123. (Paul Sacher Stiftung, Basel, 2016. £18.99. ISBN 978-1-78454-283-2.)
Schnittke Studies. Ed. by Gavin Dixon. Pp. 274. (Routledge, Abingdon and New York, 2017. £95. ISBN 978-4724-7105-5.)
Klezmer: Music, History, and Memory. By Walter Zev Feldman. Pp. xxiv + 412. (Oxford University Press, New York and Oxford, 2016. £47.99. ISBN 978-0-19-024451-4.)
The Great Woman Singer: Gender and Voice in Puerto Rican Music. By Licia Fiol-Matta. Pp. xv + 291. Refiguring American Music. (Duke University Press, Durham, NC and London, 2017. £21.99. ISBN 978-0-8223-6293-7.)
Early English Viols: Instruments, Makers and Music. By Michael Fleming and John Bryan. Pp. 400. Music and Material Culture. (Routledge, Abingdon and New York, 2017. £95. ISBN 978-1-4724-6854-3.)
Dietrich Buxtehudes geistliche Vokalwerke: Texte, Formen, Gattungen. By Olga Gero. Pp. 429. Acta Universitatis Upsaliensis; Studia Musicologia Upsaliensia Nova series, 26 (Uppsala Universitet, Uppsala, 2016. SEK 358. ISBN 978-91-554-9691-3.)
Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Ed. by Kirsten Gibson and Ian Biddle. Pp. 280. (Routledge, Abingdon and New York, 2016. £95. ISBN 978-1-4094-4439-8.)
Dance and Drama in French Baroque Opera: A History. By Rebecca Harris-Warrick. Pp. xx + 484. Cambridge Studies in Opera. (Cambridge University Press, Cambridge and New York, 2016. £89.99. ISBN 978-1-107-13789-9.)
Ludwig van Beethoven: Missa Solemnis, op. 123. Ed. by Hans-Joachim Hinrichsen and Martina Rebmann. Documenta musicologica, II/51 Bärenreiter Facsimile. Pp. xxix + 340. (Bärenreiter-Verlag, Kassel. £556. ISBN 978-3761823958.)
'Poesie in reinstes Gold verwandeln ... ' Cervantes' Don Quijote in Literatur, Kunst, Musik und Philosophie. Ed. by Ute Jung-Kaiser and Annette Simonis. Pp. xiii + 314.) (Georg Olms Verlag, Hildesheim, Zurich, and New York, 2016. €58. ISBN 978-3-487-15425-1.)
Musicians in Transit: Argentina and the Globalization of Popular Music. By Matthew B. Karush. Pp. xi + 268. (Duke University Press, Durham, NC and London, 2017. £20.99. ISBN 978-0-8223-6236-4.)
Companion to Music in the Age...

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