Abstract

In this article the authors discuss the possibility of presenting the unique qualities of “the body” in contemporary dance practice through tailored digital choreographic objects. They reflect on some implications of abstraction in cognitive science and on “the body” as a site of exploration and knowledge in the realm of social, moral and relational being.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 461-467
Launched on MUSE
2017-09-25
Open Access
No
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