- Literary Territories: Cartographical Thinking in Late Antiquity by Scott Fitzgerald Johnson
In Literary Territories, Scott Johnson explores the intertwined metaphors of map and library as they shaped the production of literature in late antiquity. Much of the book focuses on the fourth [End Page 289] through the sixth century, a time when increased travel expanded notions of the oikoumenē, or the "inhabited world." Efforts to accumulate and organize all knowledge, Johnson argues, fueled an "aesthetic of encyclopedism" or "archivalism" in many late antique genres.
Cartographical thinking—the impulse to compile, archive, and epitomize—is a by-product of this interest, appearing in travel descriptions, letters, pilgrims' guides, and miracle collections, as well as in non-narrative works such as Roman lists of overland staging posts (itineraria) and topographical catalogs (notitiae). Casting his net widely, Johnson cleverly pairs and compares secular and religious works: Pliny's (d. 79 ce) Natural History with the sixth-century Cosmas Indicopleustes's Christian Topography; Pausanias's (c. 115–c. 180) Description of Greece with the travel diary by the Christian pilgrim Egeria (ca. 484); Synesius of Cyrene's (ca. 370–ca. 414) description of a harrowing sea voyage (Ep. 5) and Jerome's account of his journey to the Holy Land with Paula (Ep. 108, 404 ce); or astronomical works such as Macrobius's Commentary on the Dream of Scipio (ca. 430) and Gregory of Tours' late-sixth-century handbook, The Course of the Stars, written for monks regulating prayer times. For each work, Johnson exposes the underlying "archival aesthetic" and makes a persuasive case for how accumulation is put to the service of argument. Collecting would be instrumental for asserting imperial control, marking out a holy land, or revealing cosmic order.
In addition to attuning the reader to these cartographical habits of thought, Johnson tracks how geographical thinking and frameworks underlie Christian travelers' descriptions, miracle collections, and legends related to the apostles and saints. All these genres share a focus on "locatedness," whereby the saint is rooted in a particular place. For instance, the Miracles of Thekla celebrate her local, even chthonic, powers. Yet, the Miracles also cast Thekla's influence beyond the region by inserting her into the legendary account of the apostles casting lots to missionize all the cities and lands of the world. The sortes apostolorum, as this legend is called, recurs in several collective hagiographies and miracle collections. The sortes, Johnson argues, also found expression in imperial monuments, such as Constantine's final resting place. According to Constantine's biographer, Eusebius, the mausoleum at the Church of the Holy Apostles complex featured the imperial coffin flanked by "coffins" for each of the twelve apostles, effecting an "archive of the apostles" and fixing the emperor in a universalizing apostolic geography. The persistence of this legend is evident in a seventh-century collection of tales about monastic wonderworking, the Spiritual Meadow by John Moschus. Although the collection lacks an explicit geographical itinerary, Johnson detects resonances between monastic and apostolic spaces.
In the final chapter Johnson explores the geographical frameworks of two ninth-century East Syriac works. He analyzes Thomas of Marga's Historia Monastica and Isho'dnah of Basra's Liber Castitatis to show how a cartographic reading of these texts reveals their orientation toward Jerusalem and Egypt, suggesting the "westwardness" that informs their self-understanding. Johnson is also to be commended for providing an appended chronological bibliography of critical editions and English translations of Greek, Latin, and Syriac works from the first seven centuries ce. [End Page 290]
Through his individual examples Johnson exposes the frameworks by which Christians and non-Christians mapped their own field of dreams, so to speak. Rather than view all this "commentary, compilation, and repackaging" as unoriginal or parasitic, Johnson claims it is profoundly creative and innovative. He suggests that, as with the codex, a technology that increasingly displaced the scroll in the later third and fourth centuries, readers could enter these narratives at random and easily compare, quote, and recombine portions. Like musical sampling today...