Contributors
- Contributors
Katie Chenoweth is an assistant professor of French at Princeton University, where she specializes in Renaissance culture, media history, and deconstruction. She is revising a manuscript on the technological invention of the French language in the sixteenth century titled The French Machine: Printing a Modern Language. Chenoweth is also the head of Derrida’s Margins, a digital humanities project based on annotations and marginalia from the personal library of Jacques Derrida.
Bruno Cornellier is an assistant professor in the Department of English at the University of Winnipeg. He is the author of La “chose indienne”: Cinéma et politiques de la représentation autochtones au Québec et au Canada (Nota Bene, 2015). Cornellier coedited (with Michael Griffiths) the “Globalizing Unsettlement” special issue of Settler Colonial Studies (2016). He also coedited (with Dominic Thomas and Cécile Alduy) a special issue of Occasion titled The Charlie Hebdo Attacks and Their Aftermath (2015). Cornellier’s articles also appear in the American Indian Culture and Research Journal, Settler Colonial Studies, the Canadian Journal of Film Studies, and Nouvelles Vues.
Nilo Couret received his PhD in film studies at the University of Iowa in 2013. He is currently an assistant professor at the University of Michigan, Ann Arbor, in the Department of Romance Languages and Literatures. Couret’s book Mock Classicism: Latin American Film Comedy, 1930–1960, is forthcoming from the University of California Press. His research interests also include studies of realism across representational media, documentary studies, trauma studies, postcolonial theory, and world cinemas and comparative film histories with particular interest in the political cinema and intellectual exchanges between filmmakers in Latin America and Africa. [End Page 151]
James Curley-Egan is completing his doctoral work in comparative literature at the CUNY Graduate Center, where he studies narrative, affect, and theories of reading. He has a master’s degree in psychoanalysis from the University of Paris 8 and is an advanced psychoanalytic candidate practicing in New York City.
Scott Krzych is an assistant professor of film and media studies at Colorado College. His work has appeared or is forthcoming in such journals as World Picture, the Velvet Light Trap, Paragraph, Jump Cut, and Cultural Critique. He is currently preparing a manuscript on the topic of hysterical discourse in conservative political documentaries.
Lex Morgan Lancaster is a visiting assistant professor of art history at Berea College. Lancaster received their PhD from the University of Wisconsin–Madison in 2017. Their dissertation, “Dragging Away: Queer Abstraction in Contemporary Art,” investigates abstraction as a formal and political tactic of queering in contemporary art. Lancaster’s related article, “Feeling the Grid: Lorna Simpson’s Concrete Abstraction,” appeared in ASAP/Journal 2, no. 1 (2017).
Erin Nunoda is a first-year cinema studies PhD student at the University of Toronto. Her research interests are primarily in the fields of queer theory and star studies, and she is particularly invested in projects that ground spectatorship as an aesthetic or philosophical site rather than as a politically or culturally coherent place for communal relation. [End Page 152]
