Color Plate Supplement

plate 1: Dermot Seymour, The Russians will water their horses on the shores of Lough Neagh (1984), 30 x 42 in. (Courtesy of Dr. Patricia Noone) plate 2: Hugh Douglas Hamilton, Antonio Canova in His Studio with Henry Tresham and a Plaster Model for the ‘Cupid and Psyche’ (1789– 90 ). Pastel. (Courtesy of Victoria and Albert Picture Library) plate 3: Jack B. Yeats, Men of Destiny (1945), 51 x 69 cm. Oil on canvas, NGI 1134. (Courtesy of the National Gallery of Ireland and Anne Yeats) plate 4: J.F. O’Hea, “a scout of ’98. ‘the yeos!!!,’” Weekly Freeman (19 December) 1891). (Courtesy of the National Library of Ireland) plate 5: Mary Farl Powers, II (1991). Photographed by Hugh Powers. (Courtesy of Powers family) plate 6:Alice Maher, Familiar I (1994), 250 x 250 cm. Acrylic on canvas, flax, and wood. Collection of the Irish Museum of Modern Art. plate 7: Kathy Prendergast, Stack (1989–91), 18 x 104 x 28 in. Cloth, string, paint, and wood. Collection of Irish Museum of Modern Art. (Courtesy of Independent Curators International) plate 8: Ciarán Lennon, 1/3/92B (1992), 8 x 18 ft. Oil on linen. Collection of Irish Museum of Modern Art. plate 9: Paul Seawright, untitled, from The Orange Order series (1991), 100 x 100 cm. (Courtesy of the Kerlin Gallery, Dublin) plate 10: Elizabeth Magill, Scenic Route #3 (1997). Oil on canvas. (Courtesy of the Kerlin Gallery, Dublin) plate 11: Felim Egan, North (1999), 265 x 265 cm. Acrylic, mixed media, linen. (Courtesy of Felim Egan) plate 12: Interior of Francis Bacon’s Studio. (Courtesy Hugh Lane Municipal Gallery of Modern Art) ...